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Collections

Unknown
Two Plattersmid-18th century

Not on view
Octagonal porcelain serving platter with cobalt blue, rust orange, and pink decoration; central scene with rocks, water creatures, a small figure, and a domed building; floral border

Unknown, Two Platters, mid-18th century, Los Angeles County Museum of Art, Gift of Ernest and Rebeca Lever, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Two Platters
Place Made
China
Date Made
mid-18th century
Medium
Porcelain
Dimensions
Length: 14 1/2 in. (36.83 cm) each
Credit Line
Gift of Ernest and Rebeca Lever
Accession Number
M.80.207.1-.2
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

M.80.207.1-.2

Two Platters

China, mid-18th century

Porcelain

Length: 14 1/2 in. (36.83 cm) each

Gift of Ernest and Rebeca Lever

Beginning in the sixteenth century, Chinese manufactories produced porcelain for a European, and later North American, market. A segment of these wares included shapes and designs specifically requested by European consumers. Scholars now often refer to porcelain made in response to European specifications as “Chinese export porcelain.” European trading companies would place orders for European utilitarian shapes, such as sets of plates and serving dishes, and communicate desired designs, like a family armorial crest.

This octagonal plate likely belonged to a larger service, mass-produced in Canton (present-day Guangzhou) in the late eighteenth century. This type of blue-and-white underglaze porcelain with overglaze famille rose was especially popular, and the generic stylized building, foliage, and waterscape with rowing figure were characteristic of porcelain hand-painted in Canton during this period. Because porcelain was heavy, it often served as ballast for stabilizing trade ships destined for Europe and the Americas.

Such wares were relatively affordable, compared to customized armorial dining services, and could be found in many households in Europe and in settler-colonial cities along the Atlantic coast. The stylized imagery fed into fantasies of East Asia and influenced European and American ceramic designs.