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Collections

Unknown
Tejaprabha BuddhaJoseon dynasty (1392-1910), late 19th-early 20th century

Not on view
Vertical painting on gold ground, enthroned central figure with halo surrounded by tiered rows of crowned attendants in crimson and blue robes, sun and moon discs at upper corners
Painted thangka fragment depicting a seated Buddha figure with ushnisha and curled hair, set against a green circular nimbus with blue outer halo. The figure wears a red and green robe with floral patterned borders, right hand raised in vitarka mudra, left hand resting in lap. Gold-toned flesh, deep blue background with gilt cloud motifs, aged and flaking pigment surface.
Detail of a hanging scroll painting, two male figures in close composition: a tall bald elder with white beard in layered blue and red robes, standing behind a younger figure wearing an elaborate gold crown and dark court dress, against a worn ochre background with traces of red drapery at left.
Detail of a hanging scroll painting on silk, showing two male court figures in red and blue robes with gold-adorned headdresses; the foreground figure holds a ceremonial tablet, with visible cracking and pigment loss across the aged surface.
Artist or Maker
Unknown
Title
Tejaprabha Buddha
Place Made
Korea
Date Made
Joseon dynasty (1392-1910), late 19th-early 20th century
Medium
Panel, ink and color on paper
Dimensions
44 1/2 x 29 1/2 in. (113.03 x 74.93 cm)
Credit Line
Purchased with Museum Funds
Accession Number
M.2000.15.5
Classification
Paintings
Collecting Area
Chinese and Korean Art
Curatorial Notes

Worship of the Buddha Tejaprabha (Buddha of Blazing Light) emerged in China during the Tang dynasty (618–907) and spread to Korea and Japan with the eastward movement of Buddhism. In East Asian Buddhism, Tejaprabha controls such celestial bodies as the Sun and Moon, the five visible planets (Mercury, Venus, Mars, Jupiter, and Saturn), the twelve Chinese zodiac constellations (based on Jupiter’s twelve-year orbit, as opposed to the twelve Western zodiac constellations, which are based on the annual movements of the sun), and the twenty-eight constellations known as the lunar mansions. It is possible that this Buddha’s cult began along the Central Asian Silk Road, which led from China across the Taklamakan Desert to what is now Afghanistan, and further west to the Mediterranean world. The earliest known painted images of Tejaprabha have been found at the Dunhuang caves in Gansu Province, western China, and at the ruined city of Khara-Khoto in Inner Mongolia.

It is significant that Tejaprabha rules over deities who are Daoist in origin. The merging of Daoism and Buddhism in China is analogous to that of Buddhism and shamanism in Korea, and Buddhism and Shinto in Japan. This is visible in both Korean and Japanese images of Tejaprabha, in which he is also accompanied by the same planetary and constellation deities, the latter usually depicted in the guise of Daoist priests. Here, he is accompanied by Shoulao, the popular Chinese god of longevity (identifiable by his high, domed cranium), and the gods of the Seven Stars of the Northern (Big) Dipper, the most powerful constellation in the East Asian sky. So important was the Northern Dipper on both the personal and national levels that cults specific to the Seven Stars evolved in China, Korea, and Japan.

Stephen Little

2022

Selected Bibliography
  • Woo, Hyunsoo, ed. Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910. Philadelphia: Philadelphia Museum of Art, 2014.
  • Korean Art Collection of the Los Angeles County Museum of Art, U.S.A. Daejeon, Republic of Korea: National Research Institute of Cultural Heritage, 2012.