LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Franz M. Jansen
Landscapecirca 1918

Not on view
Etching or drypoint landscape with bare trees, a low wall, open fields rendered in dense crosshatching, and a village with a church tower in the distance

Franz M. Jansen, Landscape, circa 1918, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds, photo © Museum Associates/LACMA

Artist or Maker
Franz M. Jansen
Title
Landscape
Place Made
Germany
Date Made
circa 1918
Medium
Drypoint on laid paper
Dimensions
Plate: 4 1/2 x 6 in. (11.43 x 15.24 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.968e
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

Related Unframed

Related Unframed

Everything You Need to Know About LACMA’s New David Geffen Galleries
Everything You Need to Know About LACMA’s New David Geffen Galleries
  • May 8, 2026
  • Alexander Schneider
Discover LACMA’s New Architectural Landmark at These Free Workshops with AIA Los Angeles
Discover LACMA’s New Architectural Landmark at These Free Workshops with AIA Los Angeles
  • May 8, 2026
  • Alexander Schneider
The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA
The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA
  • May 5, 2026
  • Alexander Schneider
New Acquisition: Alejandro Otero’s “Tablón 32”
New Acquisition: Alejandro Otero’s “Tablón 32”
  • April 20, 2026
  • Ilona Katzew
“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”
“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”
  • March 27, 2026
  • Sheridan Hunter
Join The Art Parade 2026 at LACMA
Join The Art Parade 2026 at LACMA
  • March 19, 2026
  • Editors
50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”
50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”
  • March 10, 2026
  • Sarah Rosalena, Alexander Schneider
50 Works 50 Weeks: Mariana Castillo Deball’s “Feathered Changes”
50 Works 50 Weeks: Mariana Castillo Deball’s “Feathered Changes”
  • January 7, 2026
  • Alyce de Carteret
Exhibitions to See in 2026
Exhibitions to See in 2026
  • December 31, 2025
  • Editors
Diffuse Control by Beeple Iteration: Future Past
Diffuse Control by Beeple Iteration: Future Past
  • December 22, 2025
  • Koni Zhang
Digital Art Conversations in Miami Beach: A Look Back at LACMA’s Second Annual Gathering
Digital Art Conversations in Miami Beach: A Look Back at LACMA’s Second Annual Gathering
  • December 17, 2025
  • Sosse Krikorian
50 Works 50 Weeks: Raymond Loewy’s Studebaker Avanti
50 Works 50 Weeks: Raymond Loewy’s Studebaker Avanti
  • December 17, 2025
  • Bobbye Tigerman
Celebrate NexGenLA with Family Fun Inspired by Our Modern Art Galleries
Celebrate NexGenLA with Family Fun Inspired by Our Modern Art Galleries
  • December 3, 2025
  • Katherine Satorius
LACMA and Genesis Embark on New Multi-Year Partnership
LACMA and Genesis Embark on New Multi-Year Partnership
  • November 14, 2025
  • Editors
Planting Jeff Koons’s “Split-Rocker”
Planting Jeff Koons’s “Split-Rocker”
  • September 29, 2025
  • Alexander Schneider
Andell Family Sundays: Explorations in Ink at Home
Andell Family Sundays: Explorations in Ink at Home
  • September 17, 2025
  • Elly Dallas
This Week at LACMA
This Week at LACMA
  • September 7, 2025
  • Editors
50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”
50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”
  • August 20, 2025
  • Wallis Annenberg Photography Department
The Henry and Rose Pearlman Foundation to Gift Its Collection of Impressionist, Post-Impressionist, and Modern Artworks Across Three U.S. Institutions
The Henry and Rose Pearlman Foundation to Gift Its Collection of Impressionist, Post-Impressionist, and Modern Artworks Across Three U.S. Institutions
  • August 4, 2025
  • Editors
Artists Represent Themselves: Widline Cadet on “Seremoni Disparisyon #1 (Ritual [Dis]Appearance #1)”
Artists Represent Themselves: Widline Cadet on “Seremoni Disparisyon #1 (Ritual [Dis]Appearance #1)”
  • July 15, 2025
  • Widline Cadet, Dhyandra Lawson
Building Project: June 27 Update
Building Project: June 27 Update
  • June 27, 2025
  • Editors
Building Project: June 20 Update
Building Project: June 20 Update
  • June 20, 2025
  • Editors
Building Project: June 13 Update
Building Project: June 13 Update
  • June 13, 2025
  • Editors
New Acquisition: Six Works by Japanese American Modernists
New Acquisition: Six Works by Japanese American Modernists
  • May 1, 2025
  • Shannon Vittoria