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Collections

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Krishna Abducts Mitravinda, Folio from a Bhagavata Purana (Ancient Stories of the Lord)circa 1775-1800

Not on view
Indian manuscript painting depicting a walled city with temples, multi-figure procession on terraces, and a gold chariot drawn by white horses in the foreground, with Devanagari inscriptions
Artist or Maker
Unknown
Title
Krishna Abducts Mitravinda, Folio from a Bhagavata Purana (Ancient Stories of the Lord)
Place Made
Nepal, Kathmandu Valley
Date Made
circa 1775-1800
Period
18th century
Medium
Opaque watercolor and ink on paper
Dimensions
Image: 12 5/8 x 18 3/8 in. (32.07 x 46.67 cm); Sheet: 14 1/2 x 20 3/8 in. (36.83 x 51.75 cm)
Credit Line
Gift of Jane Greenough Green in memory of Edward Pelton Green
Accession Number
AC1999.127.2
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Bhagavata Purana (Ancient Stories of the Lord) is traditionally ascribed to the legendary poet-sage Vyasa in the 8th-10th century CE. It stresses the path of devotion (bhakti) to Krishna, the eighth incarnation or avatar of Vishnu, the Hindu God of Preservation.

The Newari inscription in the upper border states that Krishna has arrived at Avantipur for a svayamvara ceremony in which a bride to be publicly chooses her groom from an assembly of suitors. Princess Mitravinda, the daughter of King Jayasena of Avanti, desired to wed Krishna against her regent brothers’ wishes and asked Krishna to intervene and rescue her during the ceremony. The inscription in the lower border relates that Krishna abducts Mitravinda (Bhagavata Purana 10:58:30-31). In the center, Krishna grasps Mitravinda by her hand and then leads her into their chariot. In the foreground, the happy couple is depicted leaving for Dvaraka, Krishna’s capital in Gujarat, where they were married and had ten sons.

This painting [folio #72], and its series mates M.71.112.2 and M.72.3.1, are from a dispersed Bhagavata Purana of more than 100 illustrations. The series is distinctive for its aerial perspective of temples and palaces in the Kathmandu Valley. The technique of continuous narration is employed so that principal characters are repeated as the action unfolds.

Additional folios from this series are in the Metropolitan Museum of Art, New York (1975.409.2, 1985.398.10, 2019.64, 2019.65).


Selected Bibliography
  • Pal, Pratapaditya; Markel, Stephen; Leoshko, Janice. Pleasure Gardens of the Mind: Indian Paintings from the Jane Greenough Green Collection. Los Angeles County Museum of Art; Mapin Publishing Pvt. Ltd.: Los Angeles, 1993.