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Collections

Unknown
Shri Raga, Folio from a Ragamala (Garland of Melodies)circa 1850-1900

Not on view
Indian manuscript painting, four figures on a marble terrace: a blue-skinned deity and attendant beside a seated woman, facing a kneeling bearded musician playing a stringed instrument, with Devanagari text above
Artist or Maker
Unknown
Title
Shri Raga, Folio from a Ragamala (Garland of Melodies)
Place Made
India, Rajasthan, Jaipur
Date Made
circa 1850-1900
Medium
Opaque watercolor and gold on paper
Dimensions
Sheet: 10 5/8 x 7 3/4 in. (26.99 x 19.69 cm); Image: 6 5/16 x 3 7/8 in. (16.03 x 9.84 cm)
Credit Line
Gift of Jane Greenough Green in memory of Edward Pelton Green
Accession Number
AC1999.127.27
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Shri Raga is the sixth raga in the in the predominant ragamala (garland of melodies) classification system generally known as the Rajasthani system. It is a melancholic melody associated with late afternoon or early evening and Winter (December-January).

The melody is envisioned here in this finally detailed painting as the blue-skinned crowned Krishna sitting with his consort Radha under an elegant textile awning on a terrace beside a white pavilion embellished with golden floral motifs. They are listening to a musical performance by a bearded musician, customarily identified as the legendary poet-saint Narada, and Tumburu, a horse-headed celestial singer and musician (gandharva). An attendant stands behind the divine couple holding an honorific peacock feather flywhisk (morchal). A lush garden blooms beyond the terrace railing. Poetic verses describing Shri Raga are inscribed in the header. See also M.70.59, M.73.59, and M.75.113.3.