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Collections

Max Liebermann
Pan 2, no. 1-2 (1896)1896

Not on view
Charcoal or chalk drawing, head-and-shoulders portrait of an older man with a white mustache and gray hair, wearing a dark jacket and bow tie, on white paper
Black and white print of a forest landscape, with tall tree trunks framing a narrow path receding into a bright clearing, rendered in dense crosshatched lines with strong tonal contrast.
Dark charcoal or lithograph nocturne scene; a horse-drawn carriage with a coachman moves along wet cobblestone streets, trees rendered in frantic diagonal strokes overhead, a distant street lamp glowing faintly in the background
Etching portrait of an elderly bearded man in a skullcap, leaning forward with clasped hands, rendered in dense crosshatched lines with deep contrasting shadows.
Etching of a seated woman in loose robes supporting a standing nude toddler whose feet rest in a shallow basin, rendered with fine cross-hatched linework; domestic interior with a stove visible in the background.
Monotype or dark-field print, bust-length portrait of a young person with short dark hair, face turned slightly downward, framed by dark vertical bands with a lighter outdoor scene visible at right.
Etching landscape with dark silhouetted trees framing a stormy sky; diagonal hatched lines suggest driving rain, with swirling clouds rendered in fine crosshatching against a light background.
Black and white engraving or print depicting a crucifixion scene with multiple figures. At left, a muscular figure is bound to a cross while a kneeling figure leans toward the base. A crowd of soldiers and onlookers, some carrying spears and a cross, fills the middle ground. A robed figure with a staff and animal-headed form stands at right. Fine hatching throughout.
Intaglio print, two nude figures in a violent struggle on a grassy ground, one dark-shadowed figure looming over a fallen figure below, rendered with dense cross-hatching and deep contrasts of black and gray.
Charcoal or chalk portrait of a person's face emerging from deep black background, rendered in dramatic chiaroscuro with visible stroke texture; face shown in three-quarter view, cropped at lower chin and sides.
Black and white engraving or fine-line print, close portrait of a bearded man with round wire-rimmed glasses, turned slightly in three-quarter view, wearing a white collar, against a plain white background within a thin ruled border.
Black and white print with dramatic chiaroscuro, crowded figural composition showing a robed figure at center surrounded by several figures in classical dress and animal skins, with dense crosshatching and bold tonal contrasts; monogram and date visible at lower right.

Max Liebermann, Theodor Fontane, 1896, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds, photo © Museum Associates/LACMA

Artist or Maker
Max Liebermann
Artist or Maker
Otto Fischer
Artist or Maker
Max Pietschmann
Artist or Maker
Karl Mediz
Artist or Maker
Franz Skarbina
Artist or Maker
Max Klinger
Artist or Maker
Charles Maurin
Artist or Maker
Walter Leistikow
Artist or Maker
Georg Lührig
Artist or Maker
Otto Greiner
Artist or Maker
Anders Leonard Zorn
Title
Pan 2, no. 1-2 (1896)
Place Made
Germany, Berlin
Date Made
1896
Medium
Printed material with six lithographs, five etchings, and one drypoint on wove paper
Dimensions
Closed: 14 3/8 × 11 5/8 × 2 1/8 in. (36.51 × 29.53 × 5.4 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1352a-l
Classification
Periodicals
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.