LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Bowl with Handlescirca 1750

Not on view
Pale white jade bowl with low-relief lotus petal carving on the exterior and two openwork animal-head handles, viewed at eye level against a dark background
Artist or Maker
Unknown
Title
Bowl with Handles
Place Made
India, Mughal empire
Date Made
circa 1750
Medium
White nephrite jade
Dimensions
2 3/4 × 6 × 7 1/4 in. (6.99 × 15.24 × 18.42 cm)
Credit Line
Mr. and Mrs. Allan C. Balch Collection
Accession Number
M.45.3.410
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This subtly ornamented bowl made of white nephrite jade is crisply carved, technically abraded, with strong attention paid to symmetry. Its eclectic design program epitomizes the Mughals acculturative genius in harmonizing international artistic influences. The projecting handles, reminiscent of Chinese jade work, are actually clever three-dimensional continuations of the burgeoning poppy plants subtly depicted in low relief on the exterior sides of the bowl. The thin vessel walls are translucent, which dramatically enhances the poppies when they are viewed by transmitted light passing through the bowl. The slightly flaring rim is ringed with a border composed of alternating pendant lily blossoms and buds. A series of acanthus leaves inspired by European imagery articulate the bottom exterior edge of the bowl. The underside of the low foot is decorated with a Chinese chrysanthemum with overlapping petals in a radial design.

By the second half of the 18th century the popularity of Mughal jades had expanded well beyond the territorial boundaries of the Mughal Empire, especially to Ottoman Turkey, Central Asia, and China. They were most directly emulated by a class of Chinese jades made in the so-called ‘Mughal style’ with Mughal stylistic features assimilated and further evolved by the Chinese lapidarists, particularly the early reuse of Indian floral motifs, shallow relief decoration, pierced floral handles, and extreme thinness of the vessel walls. The Qianlong Emperor (r. 1735-96) regarded the almost egg-shell thinness of jades from Mughal India, known to him as Hindustan, as technically superior to contemporary Chinese ones. Chinese Mughal-style jades can be difficult to distinguish from genuine Mughal examples, but a detailed comparison of their formal design features, decorative motifs, figural style, and religious iconography with earlier Chinese jade and metalware traditions may aid in revealing their true origin.

See Stephen Markel, "Carved Jades of the Mughal Period," Arts of Asia 17:6 (November-December 1987): pp. 125-126, fig. 88.


Selected Bibliography
  • Markel, Stephen. Mughal and Early Modern Metalware from South Asia at LACMA: An Online Scholarly Catalogue. Los Angeles: Los Angeles County Museum of Art, 2020. https://archive.org/details/mughal-metalware (accessed September 7, 2021).