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Collections

Dennis Hopper
Double Standard1961, printed later

On view:
Geffen Galleries, Car Culture
Black and white photograph shot from inside a car, framing a Standard Oil gas station at a wide urban intersection through the windshield, with a rearview mirror reflection in the upper right

Dennis Hopper, Double Standard, 1961, printed later, Los Angeles County Museum of Art, Gift of Bob Crewe, digital image © Museum Associates / LACMA

Artist or Maker
Dennis Hopper
United States, 1936-2010
Title
Double Standard
Place Made
United States
Date Made
1961, printed later
Medium
Gelatin silver print
Dimensions
Image: 16 1/16 × 24 1/16 in. (40.8 × 61.12 cm) Primary support: 16 1/16 × 24 in. (40.8 × 60.96 cm) Secondary support: 19 × 27 in. (48.26 × 68.58 cm) Mat: 24 × 31 7/8 in. (60.96 × 80.96 cm)
Credit Line
Gift of Bob Crewe
Accession Number
AC1994.167.2
Classification
Photographs
Collecting Area
Photography
Curatorial Notes

Actor, artist, and collector Dennis Hopper took this quintessential Los Angeles photograph with a 35mm Nikon that his then-wife, Brooke Hayward, had given him as a present for his twenty-fifth birthday. As Hopper paused in his 1964 Corvair at the intersection of Santa Monica Boulevard, Melrose Avenue, and North Doheny Drive, his lens captured a welter of signage, telephone wires, commercial architecture, and vehicles through the windshield; a reflection of another car in the rear-view mirror; and a glimpse of sky through the sunroof. This disorderly environment offered up a brilliantly precise, punning title: Double Standard.

Hopper was an American actor, filmmaker, and photographer known for his rebellious spirit and countercultural influence. He gained fame for his roles in films such as Rebel Without a Cause (1955), Easy Rider (1969), which he also directed, and Apocalypse Now (1979). During the 1960s, however, his erratic behavior had made him toxic in Hollywood. He found an outlet for his energy and imagination in L.A.’s burgeoning art scene. He not only documented it with his camera—making an estimated 18,000 photographs over a six-year period—but also collected works by artists including Ed Ruscha, Andy Warhol, and Roy Lichtenstein. Hopper’s Double Standard was used for the invitation to Ruscha’s second solo exhibition, held in 1964 at Ferus Gallery in Los Angeles.

Britt Salvesen

2025

Selected Bibliography
  • Barron, Stephanie, S. Bernstein and I. S. Fort, with essays by Stephanie Barron, Sherri Bernstein, M. Dear, Howard N. Fox and Richard Rodriguez. Made in California: Art, Image, and Identity, 1900-2000. Los Angeles: Los Angeles County Museum of Art and Berkeley: University of California Press, Berkeley, 2000.

  • Road Trip: Photography of the American West: Photographies XIXe-XXIe Siècles du Los Angeles County Museum of Art. Bordeaux: Musée des Beaux-Arts de Bordeaux, 2014.

Copyright
© Dennis Hopper, Courtesy The Hopper Art Trust

Related Unframed

Ed Ruscha and the Standard Gas Station
Ed Ruscha and the Standard Gas Station
  • September 20, 2012