Yuki Rei

Beginning1961

“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

Step into the World of Impressionism at a Ballet-Inspired Figure Drawing Workshop

Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color

LACMA’s New David Geffen Galleries Inaugurated with a Celebratory Ribbon-Cutting Ceremony

Get Ready for the David Geffen Galleries This Third Weekend at LACMA

This Week at LACMA

LACMA’s 2026 Art + Technology Lab Request for Proposals

Cupid and Psyche: Art History's Original Third-Act Break-Up

50 Works 50 Weeks: Giorgio Ghisi’s “Cupid and Psyche”

LACMA’s David Geffen Galleries Will Open on April 19, 2026

Exhibitions to See in 2026

An Appreciation: Frank O. Gehry (1929–2025)

LACMA and Genesis Embark on New Multi-Year Partnership

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Her Practice and the Blockchain

50 Works 50 Weeks: Assyrian Reliefs

50 Works 50 Weeks: Ruth Asawa’s “Untitled” (S.027)

Installing “Octavia’s Gaze” with Todd Gray

50 Works 50 Weeks: Henri Cartier-Bresson’s “Typical landscape of the Chinese countryside, with an ancient temple. Near Sanmenxia, on the Yellow River. August 1958.”

Up in “Smoke”: Installing Tony Smith’s Monumental Sculpture at the David Geffen Galleries

A Work That Doesn’t Arrive—It’s Made

This Week at LACMA

Discover the Art and Science of Color in Mesoamerica at a Virtual Symposium for “We Live in Painting”

LACMA Announces 2025 Plans Toward 2026 Grand Public Opening of the New David Geffen Galleries

This Week at LACMA