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Collections

Unknown
Okimono in the Form of a Dragon and Jewel Amid Waves19th century

Not on view
Ceramic blue-and-white sculpture of a dragon with clawed foreleg resting against a smooth white sphere, rising from swirling cobalt-painted waves

Unknown, Okimono in the Form of a Dragon and Jewel Amid Waves, 19th century, Los Angeles County Museum of Art, Gift of Allan and Maxine Kurtzman, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Okimono in the Form of a Dragon and Jewel Amid Waves
Place Made
Japan
Date Made
19th century
Period
Edo period (1603-1868) or Meiji period (1868-1912)
Medium
Hirado Mikawachi ware; porcelain with blue underglaze
Dimensions
4 3/8 x 9 1/16 x 3 9/16 in. (11.0 x 23.0 x 9.0 cm)
Credit Line
Gift of Allan and Maxine Kurtzman
Accession Number
AC1998.115.15
Classification
Ceramics
Collecting Area
Japanese Art
Curatorial Notes

This small sculpture is an ornamental object known as an okimono. A combination of oku (to place or put out) and mono (thing or article), the term identifies decorative objects meant for display, in particular small figurines or statues admired purely for their beauty and skill of craftsmanship. In the eighteenth century, Japanese artisans began making okimono for display in tokonoma, the alcove in the traditional Japanese home originally designed to showcase hanging scrolls. Made in a range of sizes and various materials, okimono took the shape of figures as well as countless plant or animal subjects, mythical creatures (AC1997.273.20), and religious motifs.

In the nineteenth century, Western demand for Japanese artworks and wares fueled the production of okimono. Artisans explored new subjects and reimagined traditional ones in order to accommodate foreign tastes and how these small decorative sculptures would be shown in European or American homes. Nineteenth-century Westerners favored imagery that portrayed Japan as the “exotic” faraway land of their imaginations. The dragon (M.2002.147.3a-b), a revered subject in Japanese art for centuries, quickly found favor with foreign audiences.

2025