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Collections

Conrad Felixmüller
Menschen 1, no. 2 (15 März 1918)1918

Not on view
Woodcut print with bold black Expressionist figure and integrated lettering spelling 'MENSCHEN,' paired with German typeset text announcing a 1918 publication
Woodcut print in black and white depicting three angular, elongated figures in dynamic poses, rendered with bold carved lines and high contrast. Date "1914" appears above the image border.
Woodcut print in black and white; a reclining figure rendered in bold, angular forms with radiating diagonal lines extending from the upper right corner, set against a solid black background.
Woodcut print with bold black-and-white contrasts showing two angular, Expressionist figures clasping hands, a crescent moon and stars visible in the background striated with vertical lines.
Woodcut portrait of a man's head in three-quarter view, rendered in bold Expressionist style with fragmented angular planes and strong black-and-white contrast, bold carved lines defining geometric facial features against a solid black background.
Artist or Maker
Conrad Felixmüller
Title
Menschen 1, no. 2 (15 März 1918)
Place Made
Germany, Dresden
Date Made
1918
Medium
Printed material and five woodcuts on thin wove orange paper
Dimensions
Sheet: 19 x 12 11/16 in. (48.26 x 32.23 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1362a-e
Classification
Periodicals
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

  • Reed, Orrel P., German expressionist art: the Robert Gore Rifkind Collection: prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.