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Collections

Grafton Tyler Brown
View of Tahoma (Mount Rainier)1886

On view:
Geffen Galleries, Picturing the American West
Horizontal landscape painting, snow-capped mountain above a glassy body of water, with forested headlands and muted blue-gray and dusty rose palette, signed 'GTBrown, '86'
Artist or Maker
Grafton Tyler Brown
United States, Pennsylvania, Harrisburg, 1841-1918, active United States, California
Title
View of Tahoma (Mount Rainier)
Place Made
United States
Date Made
1886
Medium
Oil on canvas mounted to masonite
Dimensions
Canvas: 12 × 18 in. (30.48 × 45.72 cm) Framed: 21 × 26 3/4 × 3 3/4 in. (53.34 × 67.95 × 9.53 cm)
Credit Line
Gift of Reese and Linda Polesky in loving memory of Jeanne and Fred Polesky
Accession Number
AC1998.65.1
Classification
Paintings
Collecting Area
American Art
Curatorial Notes

Grafton Tyler Brown was the first known African American artist working professionally in California. Trained as a lithographer in his home state of Pennsylvania, Brown moved to northern California in 1860, where he worked for the renowned printmaking studio, Kuchel and Dresel. Brown eventually began his own highly successful lithography company in San Francisco, where he designed and printed commercial advertisements, maps, and city views for local businesses such a Levi Strauss and Ghirardelli Chocolate Company. In 1879, Brown sold the business to concentrate on his passion for exploring and painting the landscapes of British Columbia and the Pacific Northwest.

Brown’s View of Mount Rainier comes from this particular time in the artist’s career. Like his French contemporaries, the Impressionists, Brown was fascinated by the effect of light and atmospheric changes on a single, outdoor subject. He repeatedly returned to the same natural settings to capture them at different angles, and in different weather and seasons. LACMA’s painting is one of several documenting the artist’s studies of Washington’s MountTacoma (now Mount Rainier). However, unlike the loose, gestural style of the Impressionists, Brown’s paintings maintain the meticulous realist perspective and line of his lithographs.