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Collections

Unknown
Kunwar Sabal Singh of Badnor (1848-1881)circa 1880-1900

Not on view
Painted portrait of a man from the hips up, wearing a jeweled red turban, white embroidered garment, layered emerald and pearl necklaces, and a gold-hilted sword at his waist
Rajput-style portrait painting, bust-length figure in strict profile facing right, wearing a striped orange and yellow turban with emerald jewels, a curved black feather, and pearl tassel ornament; layered pearl and emerald necklaces over a white jama with a gold-patterned sash; dark mustache and pearl drop earring against a brown background.
Indian portrait painting of a bearded man in three-quarter view, wearing a red pagri adorned with gold and emerald jeweled ornaments, white embroidered jama, and multiple strands of pearl and green bead necklaces with gold pendants, against a brown background.
Artist or Maker
Unknown
Title
Kunwar Sabal Singh of Badnor (1848-1881)
Place Made
India, Rajasthan, Badnor
Date Made
circa 1880-1900
Medium
Oil on canvas; original wood frame inscribed in gold
Dimensions
27 3/16 x 25 3/16 in. (69.06 x 63.98 cm)
Credit Line
Southern Asian Art Council
Accession Number
AC1998.52.2
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Sabal Singh (1848-1881) was a prince (Kunwar) of Badnor, a fiefdom of the princely state of Mewar in Rajasthan. Badnor was founded in 1554 when Thakur Rao Jaimal (r. 1554-1568) was awarded a land grant (jagir) by Maharana Udai Singh II of Mewar (r. 1537-1572). Badnor’s chiefs thereafter remained closely allied with Mewar’s ruling family. This portrait of Sabal Singh and its companion AC1998.52.1 were produced in the late 19th century when artists moved freely between the Udaipur court and its various principalities. This exposed the artists and patrons to varying court stylistic traditions and engendered the assimilation of Western portraiture modes found in European painting and contemporaneous photography. Accordingly, rather than being traditionally portrayed in profile, Sabal Singh is innovatively seated frontally with his gaze turned away from the viewer. The full potential of the oil medium was not realized, however, as the painting is otherwise treated simply as an oversize portrait executed in a traditional flat style.

Sabal Singh has a fashionable flaring beard and moustache. He wears a turban with a jigha (turban ornament) on the side and a forehead ornament consisting of a circlet and pendant; pearl and emerald necklaces with bejeweled golden pendants; matching bracelets and armlets; and a western Indian upper garment called a puthia. He has a dagger sheath tucked into his waistbelt and holds a sword with a gilded hilt and scabbard fittings.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.