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Collections

Unknown
Kumbha Ragaputra, Eighth Son of Shri Raga, Folio from a Ragamala (Garland of Melodies)circa 1700-1710

Not on view
Ink drawing on tan paper of two figures facing each other beside a brick well; a woman bends forward on the left, a turbaned man gestures with open palm on the right, a large round vessel between them
Artist or Maker
Unknown
Title
Kumbha Ragaputra, Eighth Son of Shri Raga, Folio from a Ragamala (Garland of Melodies)
Place Made
India, Jammu and Kashmir, Bahu or Himachal Pradesh, Kulu
Date Made
circa 1700-1710
Medium
Ink on paper
Dimensions
7 3/4 x 7 1/4 in. (19.69 x 18.41 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.76.149.6
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Dogri inscription in the header identifies the melody by the variant spelling of “Kubha Ragaputra, son of Shri Raga.” Kumbha (or Kubha) Ragaputra is the eighth son of Shri Raga in the variant ragamala (garland of melodies) classification system known as Meshakarna’s system (developed by Meshakarna, a court priest from Rewa, Madhya Pradesh, in his Ragamala of 1570), which was typically followed in Pahari ragamalas. Meshakarna’s system has six males (ragas), each of whom who has five or six wives (raginis) and eight or nine sons (ragaputras). The melodies are also compared to a sound in nature or a human activity. Kumbha Ragaputra is likened to the sound of water streaming from a jug. It is envisioned as a crowned prince with a golden pot (kumbha).

In this and commonly in other Pahari ragamalas, however, the melody is personified as a village woman drawing water from a well with a pot for a nobleman. For example, see a Kumbha Ragaputra attributed to Bahu (formerly to Kulu), circa 1710 in the Victoria and Albert Museum, London (IS.70-1953).

Selected Bibliography
  • Pal, Pratapaditya and Catherine Glynn. The Sensuous Line: Indian Drawings from the Paul F. Walter Collection. Los Angeles: Los Angeles County Museum of Art, 1976.