LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Aelbert Cuyp
The Flight into Egyptcirca 1655

On view:
Geffen Galleries
Oil painting landscape with figures, cattle, and a donkey on a sunlit path beside a river valley, rocky cliffs and tall amber-foliaged trees to the right

Aelbert Cuyp, The Flight into Egypt, circa 1655, Los Angeles County Museum of Art, Gift of Mr. and Mrs. Edward W. Carter, photo © Museum Associates/LACMA

Artist or Maker
Aelbert Cuyp
Northern Netherlands, 1620-1691
Title
The Flight into Egypt
Date Made
circa 1655
Medium
Oil on canvas
Dimensions
Canvas: 26 3/4 × 35 3/4 in. (67.95 × 90.81 cm) Framed: 37 × 46 × 5 1/2 in. (93.98 × 116.84 × 13.97 cm)
Credit Line
Gift of Mr. and Mrs. Edward W. Carter
Accession Number
AC1996.150.1
Classification
Paintings
Collecting Area
European Painting and Sculpture
Curatorial Notes

This tranquil landscape features a body of water and a road animated by herdsmen attending to their flocks. Positioned in the foreground on the right is a woman on a donkey cradling an infant, accompanied by an old man who leads their way forward. The shepherds, similarly attired in Dutch costumes, gesture toward them. The identity of the figures is subtly revealed by the carpenter’s saw tucked into the donkey’s basket: the travelers are Mary, Joseph, and the Christ Child fleeing Israel following King Herod’s command to kill all male children. The Flight into Egypt is among the few religious scenes that Aelbert Cuyp painted in his illustrious career. Unlike the biblical account that places the Holy Family’s escape at night, Cuyp rendered the landscape in warm, golden light, with the sun defining details of the clouds and mountains. The painting stands in stark contrast to the typical cold, gray, flat landscapes by compatriots such as Salomon van Ruysdael (M.2009.106.21). Cuyp effectively captures this moist atmosphere through the glistening foliage and portrays the biblical story as a contemporary event, occurring almost inconspicuously in the seventeenth-century Netherlands.

Cuyp’s poetic use of light is perhaps indebted to Jan Both (M.2009.106.3), who journeyed to Rome and introduced many Dutch artists to the contre-jour light effects (backlighting the subject) of French painter Claude Lorrain (M.86.259). Although Cuyp never traveled to Italy himself, he utilized his imagination of the Roman countryside in the warm, translucent light, thereby participating in pictorial conversation with a circle of Dutch landscape artists who actively looked toward the south. The Flight into Egypt thus reflects not only Cuyp’s interpretation of how religious paintings can be reinvented but also the reach and dissemination of artistic practices.

2024

Provenance

Servad, Amsterdam (sale, Amsterdam, Cornelis Ploos van Amstel, Hendrik de Winter, and Jan Yver, 25 June 1778, lot 48, sold [or bought in?] for 560 florins to); [Jan Yver, Amsterdam].(1) Stanislaus II Augustus Poniatowski (1732–1798), Warsaw and Saint Petersburg (r. as king of Poland 1764–95).(2) Prince Charles Maurice de Talleyrand-Perigord (1754–1838), Paris (sale, Paris, M. Henry, 7 July 1817, lot 10, as formerly "Roi de Pologne," sold en bloc before the sale to); [William Buchanan (1777–1864), London]. [John Webb, London, valued at 1,050 guineas].(3) [William Buchanan, London, sold for 1,100 guineas to];(4) Alexander Baring (1774–1848), later 1st Baron Ashburton, London and the Grange, Northington, Hampshire, by 1819, by descent to; Francis Denzil Edward Baring (1866–1938), 5th Baron Ashburton, the Grange, Northington, Hampshire, sold 1907 en bloc to; [syndicate of Thomas Agnew & Sons, London; Arthur J. Sulley & Co., London; and Asher Wertheimer, London, probably sold to]; Alfred de Rothschild (1842–1918), Halton Manor, by inheritance to; Rothschild heirs, sold in 1924 to; [Arthur Ruck, London, and M. Knoedler, London and New York, sold 1925 to]; Charles T. Fisher (1880–1963), Detroit,(5) by inheritance to his son; Thomas K. Fisher (1920–1988), Detroit (sale, London, Christie’s, 28 June 1974, lot 79, ill., bought in, sold 1977 through); [Richard L. Feigen, New York, to]; Mr. and Mrs. Edward William Carter, Los Angeles, given 1996 to; LACMA.

Footnotes

(1) Since Jan Yver was one of the dealers involved in the sale, he may have been acting as an agent for Poniatowski or another buyer.

(2) For Stanislaus Augustus Poniatowski, see London 1992, p. 36: "After the King’s death his collections were gradually dispersed. On departure from Poland in 1795 he had taken 100 of his favourite paintings to St. Petersburg: some he had given away, others were sold on his death to pay debts. The sale of his collections continued in the following years until 1821.

(3) HdG 1907–28, vol. 2 (1909), no. 409, cites Buchanan as the buyer from the Talleyrand sale, followed by John Webb. He also cites Buchanan as the seller to Baring. If the latter is true, Buchanan may have been working with Webb, who was a dealer. Webb also purchased from Buchanan Gabriel Metsu’s A Woman Seated at a Table and a Man Tuning a Violin (The National Gallery, London, inv. no. NG 838), formerly in the Talleyrand collection.

(4) An annotation to the entry for the painting in a copy of the 1817 Talleyrand-Perigord sale catalogue at the State Hermitage Museum, Saint Petersburg, notes, "retenu a 20000 estime 12000 vendu par M. Buchanan a Alx. Baring, 1100 guin." Getty Provenance Index, Sale Catalogs Database.

(5) In 1908 Charles Thomas Fisher and his six brothers founded Fisher Body Company in Detroit, an automotive coach builder for which he served as president. The company is now an operating division of General Motors.

Selected Bibliography
  • Chong, Allen and Wheelock, Arthur, et al. Aelbert Cuyp. Washington, DC: The National Gallery of Art, 2001.
  • Walsh, Jr., John., and Cynthis P. Schneider. A Mirror of Nature: Dutch Paintings from the Collection of Mr. and Mrs. Edward William Carter (Second Edition). Los Angeles: Los Angeles County Museum of Art, 1992.

  • Gifts on the Occasion of LACMA's 50th Anniversary. Los Angeles: Los Angeles County Museum of Art, 2015.
  • Duparc, Frederik J., and Linda L. Graif. Italian Recollections: Dutch Painters of the Golden Age. Montreal: Montreal Museum of Fine Arts, 1990.
  • Holmes, Jerrold. "The Cuyps in America." Art in America 18, no.4 (1930): 165-185.
  • Buchanan, William. Memoirs of Painting: with a Chronological History of the Importation of Pictures by the Great Masters into England Since the French Revolution. Vol.2. London: R. Ackerman, 1824.
  • Walsh, Amy L. The Mr. and Mrs. Edward Carter Collection of Dutch Paintings. Los Angeles: Los Angeles County Museum of Art, 2019. https://archive.org/details/Carter_Collection_Dutch_Paintings (accessed May 23, 2022).

Related Unframed

Related Unframed

Conservation for "The Mr. and Mrs. Edward Carter Collection of Dutch Paintings" Catalogue
Conservation for "The Mr. and Mrs. Edward Carter Collection of Dutch Paintings" Catalogue
  • February 10, 2020
  • Joe Fronek, Elma O’Donoghue
What Goes Around Comes Around: 1917/1918—2017/2018
What Goes Around Comes Around: 1917/1918—2017/2018
  • December 21, 2017
  • Claudine Dixon
New Acquisition: Adrian Ghenie’s Rest During Flight Into Egypt
New Acquisition: Adrian Ghenie’s Rest During Flight Into Egypt
  • September 4, 2017
  • Sayantan Mukhopadhyay
From the Collection: Madonna and Child in a Landscape
From the Collection: Madonna and Child in a Landscape
  • February 2, 2015
  • Linda Theung