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Collections

Unknown
Plate with a Bird and Fishcirca 1st century BCE - 1st century CE

Not on view
Bronze or copper-alloy dish with dark patina, decorated with incised concentric bands, a central bird motif, encircling inscription, and four fish around the interior basin
Ceramic plate or shallow dish viewed from above, dark burnished surface with incised crosshatch pattern around the rim and a smooth central medallion, photographed in black and white.

Unknown, Plate with a Bird and Fish, circa 1st century BCE - 1st century CE, Los Angeles County Museum of Art, Purchased with funds provided by The Hillcrest Foundation, the Southern Asian Art Council, John Eskenazi in honor of Dr. Pratapaditya Pal, Daniel Ostroff, and the South and Southeast Asian Acquisition Fund, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Plate with a Bird and Fish
Place Made
India, West Bengal, Chandraketugarh region
Date Made
circa 1st century BCE - 1st century CE
Medium
Black-slipped gray ware
Dimensions
1 3/4 x DIAM: 9 1/2 in. (4.45 x 24.13 cm)
Credit Line
Purchased with funds provided by The Hillcrest Foundation, the Southern Asian Art Council, John Eskenazi in honor of Dr. Pratapaditya Pal, Daniel Ostroff, and the South and Southeast Asian Acquisition Fund
Accession Number
AC1996.54.1
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The ancient capital and important urban center of Chandraketugarh and its environs, located approximately 25 miles northeast of Kolkata (Calcutta) in the Ganges River delta, has yielded an abundance of artistically accomplished pottery of diverse object types and ceramic wares, as well as sculptures and plaques. Among the ceramic wares stratigraphically attributed to the Mauryan period (300–200 BCE) and Shunga period (200 BCE–50 CE), are various tablewares and vessels with stamped and/or rouletted designs.

The Plate with a Bird and Fish is made of black-slipped gray ware with an incurved rim. It has stamped and rouletted designs. The plate was thrown on the wheel from gray clay and then, prior to firing, a smooth black slip was uniformly applied to the surface, giving it a glossy appearance. In the center is a bird shown in profile. Surrounding it are concentric bands consisting of a rouletted border, an inscription in two rows, three adjacent rouletted borders, a plain band with three evenly spaced fish, and a final rouletted border. The symbolic meanings of the bird and fish motifs are unknown. The inscription is in an ancient Bengali script that has been discussed by several authors, including H. Falk (2014), B. N. Mukherjee (2007–1990), R. Salomon (1983), D. K. Chakravorty (1977), S. K. Ray (1966), and K. G. Goswami (1948). A closely related plate with a bee pollinating a lotus in the central medallion is in the Metropolitan Museum of Art, New York (1993.371).