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Collections

Otto Dix
Visit to Madame Germaine's in Méricourt1924

Not on view
Etching of two seated figures on cream paper, a man shown from behind leaning toward a heavily ornamented woman with feathered hair and ruffled bodice, rendered in fine crosshatched lines against a dark background

Otto Dix, Karl Nierendorf, Otto Felsing Druckerei, Visit to Madame Germaine's in Méricourt, 1924, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, photo © Museum Associates / LACMA

Artist or Maker
Otto Dix
Germany, 1891-1969
Publisher
Karl Nierendorf
Germany, also active United States, 1889-1947
Printer
Otto Felsing Druckerei
Germany, Berlin, 1854-1920
Title
Visit to Madame Germaine's in Méricourt
Place Made
Germany
Date Made
1924
Medium
Etching, aquatint, and drypoint on laid paper
Dimensions
Plate: 10 1/4 × 7 3/4 in. (26.04 × 19.69 cm) Sheet: 18 3/4 × 13 7/8 in. (47.63 × 35.24 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number
M.82.288.54f
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

  • Rigby, Ida Katherine. An alle Künstler! : War-Revolution-Weimar : German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation. San Diego : San Diego State University Press, 1983.
  • Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
  • McGreevy, Linda F. Bitter Witness: Otto Dix and the Great War. New York: Peter Lang, Inc., 2001.
  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
  • Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.


Copyright
© Otto Dix Estate / Artists Rights Society (ARS) New York / VG Bild-Kunst, Bonn