Otto Dix
Wounded Man (Autumn 1916, Bapaume)1924

Not on view

Etching or aquatint print showing a human figure lying on its back, face contorted with open mouth and wide eyes, arms raised, rendered in deep blacks with white spatter

Artist or Maker: Otto Dix
Germany, 1891-1969
Publisher: Karl Nierendorf
Germany, also active United States, 1889-1947
Printer: Otto Felsing Druckerei
Germany, Berlin, 1854-1920
Title: Wounded Man (Autumn 1916, Bapaume)
Place Made: Germany
Date Made: 1924
Medium: Etching and aquatint on laid paper
Dimensions: Plate: 7 3/4 × 11 3/8 in. (19.69 × 28.89 cm) Sheet: 13 7/8 × 18 11/16 in. (35.24 × 47.47 cm)
Credit Line: The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number: M.82.288.51f
Classification: Prints
Collecting Area: Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography: Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.
Prelinger, Elizabeth. After The Scream: The Late Paintings of Edvard Munch. Atlanta: The High Museum and New Haven and London: Yale University Press, 2001.
Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
Rigby, Ida Katherine. An alle Künstler! : War-Revolution-Weimar : German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation. San Diego : San Diego State University Press, 1983.
Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
McGreevy, Linda F. Bitter Witness: Otto Dix and the Great War. New York: Peter Lang, Inc., 2001.
Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.
Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.

Benson, Timothy O. and Andrea Gyorody. A New Generation of Creators: Selections from The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles: Los Angeles County Museum of Art, 2017.
Copyright: © Otto Dix Estate / Artists Rights Society (ARS) New York / VG Bild-Kunst, Bonn

Otto Dix
Wounded Man (Autumn 1916, Bapaume)1924

Not on view

Artist or Maker: Otto Dix
Germany, 1891-1969
Publisher: Karl Nierendorf
Germany, also active United States, 1889-1947
Printer: Otto Felsing Druckerei
Germany, Berlin, 1854-1920
Title: Wounded Man (Autumn 1916, Bapaume)
Place Made: Germany
Date Made: 1924
Medium: Etching and aquatint on laid paper
Dimensions: Plate: 7 3/4 × 11 3/8 in. (19.69 × 28.89 cm) Sheet: 13 7/8 × 18 11/16 in. (35.24 × 47.47 cm)
Credit Line: The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number: M.82.288.51f
Classification: Prints
Collecting Area: Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography: Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.
Prelinger, Elizabeth. After The Scream: The Late Paintings of Edvard Munch. Atlanta: The High Museum and New Haven and London: Yale University Press, 2001.
Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
Rigby, Ida Katherine. An alle Künstler! : War-Revolution-Weimar : German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation. San Diego : San Diego State University Press, 1983.
Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
McGreevy, Linda F. Bitter Witness: Otto Dix and the Great War. New York: Peter Lang, Inc., 2001.
Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.
Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.

Benson, Timothy O. and Andrea Gyorody. A New Generation of Creators: Selections from The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles: Los Angeles County Museum of Art, 2017.