Max Beckmann
The Negro1921

Not on view

Artist or Maker: Max Beckmann
Title: The Negro
Place Made: Germany
Date Made: 1921
Medium: Drypoint on handmade paper
Dimensions: Plate: 11 3/8 x 10 1/4 in. (28.89 x 26.04 cm); Sheet: 20 13/16 x 15 1/16 in. (52.86 x 38.27 cm)
Credit Line: The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number: M.82.288.19f
Classification: Prints
Collecting Area: Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography: Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.
Gallwitz, Klaus. Die Druckgraphik: Radierungen, Lithographien, Holzschnitte. Katalogbearbeitung und Gesamtredaktion, Klaus Gallwitz. Hrsg. vom Badischer Kunstverein. Karlsruhe: Badischer Kunstverein, 1962.
Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.
Copyright: © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Related Unframed

Not on view

Artist or Maker: Max Beckmann
Title: The Negro
Place Made: Germany
Date Made: 1921
Medium: Drypoint on handmade paper
Dimensions: Plate: 11 3/8 x 10 1/4 in. (28.89 x 26.04 cm); Sheet: 20 13/16 x 15 1/16 in. (52.86 x 38.27 cm)
Credit Line: The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number: M.82.288.19f
Classification: Prints
Collecting Area: Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography: Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.
Gallwitz, Klaus. Die Druckgraphik: Radierungen, Lithographien, Holzschnitte. Katalogbearbeitung und Gesamtredaktion, Klaus Gallwitz. Hrsg. vom Badischer Kunstverein. Karlsruhe: Badischer Kunstverein, 1962.
Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.