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Collections

Unknown
Royal Procession with Maharaja Serfoji II of Thanjavur (r. 1798-1832)circa 1800-1810

Not on view
Indian painting of a royal procession with a gilded chariot beneath a teal parasol, crowds of soldiers, elephants, and horses carrying pennants and flags
Indian painting depicting a royal procession; a richly dressed figure seated in an ornate golden howdah atop an elephant, surrounded by attendants, ceremonial parasols, standards, and a crowd of figures in colorful attire against a pale blue ground.
Indian painting depicting a royal procession with numerous figures in colorful patterned garments and turbans; a decorated white bull at left, a caparisoned elephant at upper right, and a rider on a white horse at far right, rendered in flat opaque pigments with fine detail.
Artist or Maker
Unknown
Title
Royal Procession with Maharaja Serfoji II of Thanjavur (r. 1798-1832)
Place Made
India, Tamil Nadu, Thanjavur (Tanjore)
Date Made
circa 1800-1810
Medium
Opaque watercolor and gold on paper
Dimensions
16 x 25 3/4 in. (40.64 x 65.41 cm)
Credit Line
Bequest of Edwin Binney, 3rd
Accession Number
M.90.141.5
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes
Maharaja Serfoji II (or Sarabhoji II Bhonsle, r. 1798-1832) was born in 1777 in the Maratha royal clan and adopted in 1787 by King Tulajaji II (r. 1763-1787) of Thanjavur (Tanjore). He was installed by the British as the titular king of Thanjavur in 1798 until his death in 1832. See also AS2001.2.
When this painting was acquired in 1990, the subject was identified as Raja Amar Singh (or Ramaswami Amarasimha Bhonsle, r. 1793-1798). He served as the regent of Thanjavur from 1787 to 1793 and, after usurping the throne, as its ruler until 1798 when Serfoji II was restored to power by the British with his sovereignty restricted to the Thanjavur Fort and its environs. The administration of the kingdom was thenceforth assumed by the British. Amar Singh had strenuously resisted the growing British hegemony. The depiction of an English dignitary seated in the carriage directly behind the ruler thus suggests the personages are more likely Serfoji II and the British District Collector Charles Harris (officiated 1799-1804) or the British Resident William Blackburne (officiated 1801-1823). The Indian official seated facing the ruler is likely an important minister.
Grand ceremonial processions were a fashionable expression of royal pomp in Thanjavur, especially during the Dussehra festival in the month of Ashvin (September/October). Comparable processional scenes are in the Victoria and Albert Museum, London (IM.319-1921 and IM.10-1938) and the British Library, London (Add.Or.2594).
Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.