Joan Miró

Composition1959

Step into the World of Impressionism at a Ballet-Inspired Figure Drawing Workshop

50 Works 50 Weeks: Stephanie Shih’s “梅國 (Still life with chamoy and Dirty T Tamarindo)”

50 Works 50 Weeks: The Ardabil Carpet

Diffuse Control by Beeple Iteration: Soft Jelly

Currents of Memory: The Oceanic Worlds of “Stray Dog Hydrophobia”

50 Works 50 Weeks: “Horse and Groom”

50 Works 50 Weeks: John Deare’s “Judgment of Jupiter”

Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”

Explore Ecology and Extraction at a Performance and Screening of “S̶t̶r̶a̶y̶ D̶o̶g̶ Hydrophobia”

50 Works 50 Weeks: William Eggleston’s “Untitled”

Frances Stark’s Way of Seeing

50 Works 50 Weeks: Bartolomé Estebán Murillo’s “The Mystic Marriage of Saint Catherine”

50 Works 50 Weeks: Katsushika Hokusai’s “The Great Wave off Kanagawa”

50 Works 50 Weeks: George Bellows’s “Cliff Dwellers”

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”

50 Works 50 Weeks: Scherezade García's “Harvest of the Sea”

“I wanted to be a digital witness”: Daniel Canogar on “Wayward”

A Work That Doesn’t Arrive—It’s Made

50 Works 50 Weeks: Georges de la Tour’s “The Magdalen with the Smoking Flame”

50 Works 50 Weeks: Thomas Eakins’s “Wrestlers”

New Acquisition: Six Works by Japanese American Modernists

Before You Now: Kalli Arte Collective

2024 AHAN: Studio Forum Acquisitions

The 2024 LACMA Holiday Gift Guide