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Collections

Unknown
Boli (Komo Society Altar)20th century

On view:
Geffen Galleries
Earthenware sculpture of a stylized four-legged animal, possibly a bull or bison, with a heavily cracked and weathered gray-brown surface, mounted on a black rectangular base
Ceramic animal figurine with heavily crackled gray-brown surface, depicting a compact quadruped with a rounded humped back, stubby legs, and no distinct head, mounted on a black rectangular base.
Artist or Maker
Unknown
Title
Boli (Komo Society Altar)
Culture
Bamana peoples
Place Made
Africa, Republic of Mali
Date Made
20th century
Medium
Wood, bark, clay, blood conglomerate
Dimensions
Height: 26 in. (66 cm)
Credit Line
Gift of the Gerard Junior Foundation
Accession Number
M.90.7
Classification
Sculpture
Collecting Area
African Art
Curatorial Notes

Portable altars (boli) such as this one are used by members of the Komo (or Kono) Society during rituals and ceremonies as a vehicle to contain the spiritual power needed to communicate with ancestors, spirits, and other supernatural forces. Members of the Komo Society are primarily high-ranking male priests, elders, and blacksmiths. Such rituals are performed to preserve traditional knowledge and social order and to encourage plentiful crops and future protection of the community. Additive materials such as mud or clay, blood and urine, alcohol, eggs, honey, or feathers are built up in layers forming the shrine over a wood core. The influence of the Komo Society in Mali has diminished due to the conversion of most Bamana communities to Islam.

Provenance: De Monbrison, Paris 1983; Merton D. Simpson (1928−2013), New York City, 1984; Gerard Junior Foundation; gift to LACMA, 1990.

Selected Bibliography
  • Los Angeles County Museum of Art Members' Calendar 1993, vol. 31, no. 1-11 (January-November, 1993).