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Shaiva Shrines in a Landscape1700-1725

Not on view
South Asian painting of a multi-tiered Hindu temple at center, flanked by orange mountains, smaller shrines, trees, and rows of multi-armed deities in arched niches
Opaque watercolor painting depicting a sacred landscape with tiered white temple towers (shikharas) set against a vivid orange ground, flanked by stylized trees in pink, green, and blue-gray. Deity figures occupy niched shrines within the temples and on elevated platforms, surrounded by flowering vegetation and green mountains in the background.
Indian opaque watercolor painting depicting a multi-tiered temple in gray and white against a vivid orange ground, with divine figures in niches on each level; lower register shows four standing and seated figures in yellow, red, and green; upper register has two blue-skinned seated figures flanking a central shrine object; stylized orange trees with gold foliage at upper corners.
Artist or Maker
Unknown
Title
Shaiva Shrines in a Landscape
Place Made
Nepal
Date Made
1700-1725
Medium
Mineral pigments and silver on cotton cloth
Dimensions
42 1/2 x 33 in. (107.95 x 83.82 cm)
Credit Line
Purchased with funds provided by Dorothy and Richard Sherwood and Christian Humann
Accession Number
M.76.20
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dedicated to Shiva, a three-story silver temple rendered in an architectural style prevalent in the Kathmandu Valley in the 17th century is set in a wooded landscape surrounded by six subsidiary temples, each enshrining a Shivalinga (literally, the "sign" of Shiva). The ground floor of the main temple has five interior niches with deities flanked on the exterior by two divine guardians. From left to right, the interior deities are Durga, Vishnu, Shiva, Surya, and the elephant-headed Ganesha. The middle floor has the primary shrine, the sacred sanctum (Latin: sanctum sanctorum), with the devotional focus being an adorned Shivalinga with four black faces of Shiva (chatur mukhalinga) representing his different philosophical aspects (only three faces are represented, the fourth face is understood as being on the far side). The Shivalinga is in the central niche flanked by niches with guardians, probably two forms of Bhairava. In the far left niche is the half-female,alf-male Ardhanarishvara, while in the far right niche is a two-armed goddess. The top floor below the temple tower (shikhara) has a single-faced Shivalinga atop a multi-tiered pedestal (yoni pitha). It is flanked by a niche on the left with a meditating yogi and a niche on the right with a Bhairava. In the top center of the painting, two four-armed celestial divinities symbolize the cosmic auspiciousness of the temple. The yellow Sun God Surya is likely on the left. On the right is probably the white moon guide Chandra. They sit on double-lotus bases within red aureoles (prabhavali).

Selected Bibliography
  • Srinivasan, Doris Meth. Listening to Icons. Vol. 1. New Delhi: Aryan Books International, 2016.