LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Yoke in Form of a Jaguar600–900 CE

Not on view
Stone sculpture in a U-shape with carved swirling animal mask motifs on the curved front face, mottled gray-brown with translucent lavender-white areas

Unknown, Yoke in Form of a Jaguar, 600–900 CE (alternate view), Los Angeles County Museum of Art, Gift of Constance McCormick Fearing, photo © Museum Associates/LACMA

Title
Yoke in Form of a Jaguar
Culture
Veracruz
Place Made
Mexico, Central Veracruz, Veracruz
Date Made
600–900 CE
Medium
Rhyolite
Dimensions
17 × 14 3/4 × 4 5/8 in. (43.18 × 37.47 × 11.75 cm)
Credit Line
Gift of Constance McCormick Fearing
Accession Number
AC1992.134.25
Classification
Stone
Collecting Area
Art of the Ancient Americas
Curatorial Notes

Today erroneously known as “yokes” (for their resemblance to equipment used on European draft animals for plowing fields), this U-shaped carving represents the belt worn as a torso and hip protector during the Mesoamerican ballgame. The goal was to propel a heavy rubber ball toward/through stone hoops or markers attached to the side walls of ballcourts, and rules stipulated which parts of their bodies players were allowed to use, be it hips, shoulders, elbows, or knees. In order to protect themselves from injury, they wore thick padded gear.

Ancient ballgame paraphernalia was made of perishable materials—possibly leather or textile stuffed with cotton or straw—so none survives. But artists sculpted stone representations of some gear, such as this belt, particularly in Veracruz on the Gulf of Mexico. Too heavy for actual use, these stone versions were probably ceremonial, given or flaunted as trophies, or buried as grave goods. The rendering of such items in stone is testimony to the ballgame’s importance in Mesoamerican society. As is the case here, they often feature carved images of toads, as well as serpents and jaguars (see M.2010.115.692), all of which are symbols of the underworld, reinforcing the mythical or supernatural associations of the ballgame, and of the ballcourt as an opening into the place of the dead.

Julia Burtenshaw

2024

Selected Bibliography
  • Beckett, Sister Wendy. Sister Wendy's American Collection, Toby Eady Associates, ed. Harper Collins Publishers, 2000.
  • Peterson, Jeanette Favrot. Sacred Gifts: Precolumbian Art and Creativity. Santa Barbara: Santa Barbara Museum of Art, 1994.
  • Peterson, Jeanette Favrot and Green, Judith Strupp. Precolumbian Flora and Fauna: Continuity of Plant and Animal Themes in Mesoamerican Art. San Diego, CA: Mingei International Museum of World Folk Art, 1990.
  • O'Neil, Megan E. Forces of Nature: Ancient Maya Arts from the Los Angeles County Museum of Art. Beijing Shi: Wen wu chu ban she, 2018.