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Collections

Unknown
Battling Elephantscirca 1700

Not on view
Indian miniature painting, horizontal format, two caparisoned elephants clashing at center against a vivid orange background, with riders and figures in jewel-toned garments above and below
Indian opaque watercolor painting on a vivid saffron ground; two ornamented gray elephants in combat, their tusks and trunks intertwined; a mahout in green jama and turban stands atop the left elephant wielding a goad, while a second figure in pink dress falls forward over the head of the right elephant; both elephants wear pearl and bead necklaces, jeweled caparisons, and hanging bells; fine detailed brushwork throughout.
Detail of an Indian miniature painting; a white hound with a green collar leaps forward against a vivid yellow ground, mouth open, claws extended, with weapons and a partially visible bejeweled figure at right.
Artist or Maker
Unknown
Title
Battling Elephants
Place Made
India, Jammu and Kashmir, Basohli
Date Made
circa 1700
Medium
Opaque watercolor, gold, and sections of beetle carapace on paper
Dimensions
Image: 7 5/8 x 11 1/2 in. (19.37 x 29.21 cm); Sheet: 8 x 11 7/8 in. (20.32 x 30.16 cm)
Credit Line
Gift of Jane Greenough Green in honor of the museum's twenty-fifth anniversary
Accession Number
AC1992.91.1
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A principal means of preparing elephants for war was to stage combats between them. Originally intended for royal audiences only, these contests became important sporting events and a favorite pastime of the Mughals and Rajputs. Depictions of elephant combat were favorite subjects in many schools of Indian painting. Graphic descriptions of elephant combat and the grave danger to their mahouts (drivers) are recorded in the contemporaneous accounts of European visitors to India.

Here, two elephants are engaged in a fierce combat that has intensified dangerously out of control. While one of the elephants has wrapped his trunk wrapped around his opponent’s front leg, the second strangles his opponent’s mahout. Blood streams from their wounds. Even the hapless mahout’s elephant goad has been shattered by the ferocity of the attack. Various warriors and attendants, responsible for managing the animals with fireworks and Saluki dogs, unsuccessfully try to regain control of the situation.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.