LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Emperor Humayun (r. 1530-1540/1555-1556)circa 1875

Not on view
Oval miniature portrait painting of a bearded man in marigold and green embroidered robes and an elaborate red and gold turban with a dark feather, against a celadon green background
Artist or Maker
Unknown
Title
Emperor Humayun (r. 1530-1540/1555-1556)
Place Made
India, Delhi
Date Made
circa 1875
Medium
Opaque watercolor and gold on ivory
Dimensions
2 1/2 x 1 3/4 in. (6.35 x 4.44 cm)
Credit Line
Gift of Lillian Apodaca Weiner
Accession Number
M.91.231
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Emperor Humayun (r. 1530-1540/1555-1556) was born in 1508. His birth name was Nasir ud-Din Muhammad. His father was Babur, the founder of the Mughal dynasty (r. 1526-1530). Humayun first ruled the Mughal Empire in 1530-1540 but was defeated and routed from Delhi in the battle of Kannauj in 1540 by the Afghan Sher Shah Sur (r. 1540-1545). Humayun regained the throne in 1555 with the aid of Safavid Persian forces, but died one year later, after falling down the stairs of his library. Throughout his life Humayun maintained a deep interest in painting and calligraphy. During his exile from Delhi he spent time at the Iranian court of Shah Tahmasp (r. 1524-1576), where he was exposed to a renowned painting atelier. In 1555 three of Shah Tahmasp’s artists accompanied Humayun back to Delhi and established an imperial painting atelier that blended Iranian and Indian stylistic features.

The enthroned Humayun wears the distinctive Chaghatai-style headgear known as a Crown of Power and Glory (Taj-i ‘Izzat) with a feather plume (kigal), and a bejeweled and embroidered cloak over his outer garment.

This miniature portrait on ivory of Humayun, along with images of other Mughal emperors and possibly empresses, would originally have been mounted on a wooden frame (see 34.13.965) or inset into an ebony, sandalwood, or ivory jewelry box with carved and sometimes inlaid hardstone decoration.