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Collections

Woman's Hip Wrapper (Sarung)circa 1860-circa 1867

Not on view
Horizontal textile with crimson central panel densely covered in curling vines and stylized flowers, flanked by cream panels with scattered birds, floral sprays, and circular medallions in red and blue
Title
Woman's Hip Wrapper (Sarung)
Place Made
Indonesia, Java, Semarang
Date Made
circa 1860-circa 1867
Medium
Hand-drawn wax resist (batik) on machine-woven cotton, natural dyes
Dimensions
42 1/8 × 77 in. (107 × 195.58 cm)
Credit Line
Inger McCabe Elliott Collection
Accession Number
M.91.184.381
Classification
Costumes
Collecting Area
Costume and Textiles
Curatorial Notes
Hip wrapper, m.91.184.381
Overview
Excerpted from Herina, Rens, and Harmen C. Veldhuisen. Fabric of Enchantment: Batik from the North Coast of Java. Los Angeles: Los Angeles County Museum of Art; New York: Weatherhill, Inc., 1996, Catalogue no. 18.
The format of this Indo-European batik shows the classic division with the kepala bisecting the badan. Nevertheless, the impression is remarkably different, as the papan has been replaced by a wide, imitation lace border (booh)—rows of three-lobed leaves and floral sprigs—that also graces the horizontal edges of the cloth, one in red and the other a greenish soga, so the cloth can be worn with either edge on top. Although the colors resemble the traditional bang biru, this term was never used for Indo-European batiks. Moreover, the red and blue here were enlivened with soga in a shade that suggests green. The two halves of the badan are adorned with nosegays of roses and lovebirds, probably inspired by Dutch magazines. The kepala is decorated with a rather haphazard version of the earliest Indo-European floral kepala design. One selvage shows double lines; the other is plain.
Maker
This batik is probably from the workshop of Carolina von Franquemont. The colors, perfection of work, richness of filler motifs, and European motifs are consistent with batik produced in her shop. The format, however, represents an innovation. The side panels of the kepala have disappeared, and the bow border, in red and soga, appears along each edge. This batik is only one example of Von Franquemont’s repertoire of lovebirds. She also depicted the following stage of their love affair: two birds perched on the edge of a nest containing four eggs.
Wearer
Newly engaged or young married women of Indo-European and Peranakan background might have worn this cloth at home and for informal occasions. The lovebirds and abundant roses are appropriate for this stage of life. The surfeit of red, color of happiness and weddings, would appeal particularly to Peranakan taste. The more subdued greenish shade would have been preferred by Europeans.
Selected Bibliography
  • Heringa, Rens and Veldhuisen, Harmen. Fabric of Enchantment: Batik from the North Coast of Java. Los Angeles: Los Angeles County Museum of Art and Weatherhill, Inc., 1996.