LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Joseph B. Blackburn
Portrait of Mrs. John Pigottcirca 1752

On view:
Geffen Galleries, Transatlantic Exchange and Its Legacies
Oil painting portrait of a seated woman in a silvery-white satin gown with lace cuffs, hands resting on a stone ledge draped with rust-red silk, a tropical plant in a dark urn to her left
Artist or Maker
Joseph B. Blackburn
England, active United States, circa 1730-circa 1778
Title
Portrait of Mrs. John Pigott
Place Made
United States
Date Made
circa 1752
Medium
Oil on canvas
Dimensions
Canvas: 50 × 40 in. (127 × 101.6 cm) Frame: 58 × 48 1/4 × 4 in. (147.32 × 122.56 × 10.16 cm)
Credit Line
Purchased with funds provided by the American Art Council in honor of the Museum's twenty-fifth anniversary
Accession Number
M.90.210.2
Classification
Paintings
Collecting Area
American Art
Curatorial Notes

Exhibition Label, 1997

Before settling in New England for a decade (1753-63), Joseph Blackburn visited Bermuda, which had come under British domination in 1684 and was closely connected to the American mainland by trade routes. Here he painted at least seventeen portraits, seven devoted to the members of the family of Francis Jones, governor of the colony. Fannie, Francis Jones’s daughter, married Captain John Pigott by, a customs collector, in 1745. The British considered Bermuda an exotic locale, as Blackburn shows in this portrait of Mrs. Pigott by posing her in front of a palmetto with a small native bird perched on her finger.

This painting, along with the one of John Pigott to the right, remained in the Jones family until acquired by the museum; consequently, the frames are original eighteenth-century examples of the English rococo aesthetic, with sand panels and lacy, open carving decorated with fine and floret details.

Selected Bibliography
  • Blanco F., José and Mary D. Doering, eds. Clothing and Fashion: American Fashion from Head to Toe, vol. 1, Pre-Colonial Times Through the American Revolution. Santa Barbara: ABC-CLIO, 2016.
  • Edwards, Lydia. How to Read a Dress: a Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic, 2017.