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Collections

Adamo Scultori
Two Cupids Riding a Dolphin16th century

Not on view
Engraving on cream paper, oval composition showing two nude winged infant figures riding scaly sea creatures through waves, rendered in fine hatched lines

Adamo Scultori, Giulio Romano, Two Cupids Riding a Dolphin, 16th century, Los Angeles County Museum of Art, Mary Stansbury Ruiz Bequest, photo © Museum Associates/LACMA

Artist or Maker
Adamo Scultori
Italy, Mantua, circa 1530-1585
After
Giulio Romano
Italy, Rome, probably 1499-1546
Title
Two Cupids Riding a Dolphin
Place Made
Italy
Date Made
16th century
Medium
Engraving
Dimensions
Sheet: 6 × 8 1/2 in. (15.24 × 21.59 cm) Image: 5 1/2 × 8 1/4 in. (13.97 × 20.96 cm)
Credit Line
Mary Stansbury Ruiz Bequest
Accession Number
M.88.91.401
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes

Two chubby putti riding serpentine dolphins dominate this oval-shaped engraving. The undulating tails of the imagined creatures and the rounded bodies of the winged children echo the water’s waves. This delightful print relates to a lunette in the Room of the Eagles in the Palazzo Te, a pleasure palace of the princely Gonzaga family in Mantua. The original design for this composition can be traced back to the palace’s deviser, Giulio Romano, who was himself inspired by an antique carved gem once in the collection of the powerful Venetian Grimani family, as well as by his master Raphael’s dolphin decorations for the walls of the Villa Farnesina in Rome. In a dizzying additional layer of exchange, the engraver Adamo Scultori was likely furnished with the now-lost Giulio drawing from which this print derives by his father, Giovanni Battista Scultori, who worked on decorations for the Room of the Eagles between 1527 and 1528.

Claire Spadafora Baes

2024

Selected Bibliography
  • Bartsch, Adam von. The Illustrated Bartsch. New York: Abaris Books, 1978.