LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Attributed to Antonio da Trento
Hopec. 1540s; printed early 17th century

Not on view
Small vertical print in dark brown ink on salmon-pink paper, a nude female figure twisting on a stone pedestal, with billowing drapery and wavy tendrils behind her

Attributed to Antonio da Trento, Attributed to Niccolò Vicentino, Girolamo Francesco Maria Mazzola (after) (called Parmigianino), Andrea Andreani, Hope, c. 1540s; printed early 17th century, Los Angeles County Museum of Art, Mary Stansbury Ruiz Bequest, photo © Museum Associates/LACMA

Artist or Maker
Attributed to Antonio da Trento
Italy, active Bologna, circa 1510-circa 1550
Artist or Maker
Attributed to Niccolò Vicentino
Italy, Vicenza, active mid-16th century
After
Girolamo Francesco Maria Mazzola (after) (called Parmigianino)
Italy, Parma, 1503-1540
Printer; Publisher
Andrea Andreani
Italy, Mantua, circa 1558-1629
Title
Hope
Place Made
Italy
Date Made
c. 1540s; printed early 17th century
Medium
Chiaroscuro woodcut from two blocks
Dimensions
Sheet: 4 3/4 × 3 3/8 in. (12.07 × 8.57 cm) Image: 4 1/8 × 2 3/4 in. (10.48 × 6.99 cm)
Credit Line
Mary Stansbury Ruiz Bequest
Accession Number
M.88.91.253
Classification
Prints
Collecting Area
Prints and Drawings
Selected Bibliography
  • Bartsch, Adam von. The Illustrated Bartsch. New York: Abaris Books, 1978.

Related Unframed

Related Unframed

Catherine Opie Takes Our Photo
Catherine Opie Takes Our Photo
  • May 27, 2026
  • Alexander Schneider
“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”
“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”
  • May 19, 2026
  • Sheridan Hunter
Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station
Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station
  • May 13, 2026
  • Alexander Schneider
Andell Family Sundays: Slow Walking and Observing
Andell Family Sundays: Slow Walking and Observing
  • April 15, 2026
  • Eszter Delgado
“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”
“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”
  • March 27, 2026
  • Sheridan Hunter
Galloping into the Year of the Horse
Galloping into the Year of the Horse
  • February 17, 2026
  • Katie Booth
Diffuse Control by Beeple Iteration: Matrix Residua
Diffuse Control by Beeple Iteration: Matrix Residua
  • December 23, 2025
  • Hope Flores
An Appreciation: Frank O. Gehry (1929–2025)
An Appreciation: Frank O. Gehry (1929–2025)
  • December 6, 2025
  • Stephanie Barron
LACMA and Genesis Embark on New Multi-Year Partnership
LACMA and Genesis Embark on New Multi-Year Partnership
  • November 14, 2025
  • Editors
Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Responding to LACMA’s Collection
Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Responding to LACMA’s Collection
  • November 5, 2025
  • Lady Cactoid, Kiya Tadele
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
  • October 27, 2025
  • Yasna Yamaoka Vismale
50 Works 50 Weeks: The Hope Athena
50 Works 50 Weeks: The Hope Athena
  • September 30, 2025
  • Alexander Schneider
50 Works 50 Weeks: Ruth Asawa’s “Untitled” (S.027)
50 Works 50 Weeks: Ruth Asawa’s “Untitled” (S.027)
  • September 10, 2025
  • Alexander Schneider
Up in “Smoke”: Installing Tony Smith’s Monumental Sculpture at the David Geffen Galleries
Up in “Smoke”: Installing Tony Smith’s Monumental Sculpture at the David Geffen Galleries
  • July 1, 2025
  • Alexander Schneider
“What does it take to feel autonomy these days?”: Lauren Lee McCarthy on “Auto”
“What does it take to feel autonomy these days?”: Lauren Lee McCarthy on “Auto”
  • June 23, 2025
  • Joanne Hong
“We are all we’ve got”: Nancy Baker Cahill on “Substrate”
“We are all we’ve got”: Nancy Baker Cahill on “Substrate”
  • June 4, 2025
  • Nancy Baker Cahill, Joel Ferree
Thinking of You, Earth
Thinking of You, Earth
  • April 22, 2025
  • Eve Schillo
LACMA Announces 2025 Plans Toward 2026 Grand Public Opening of the New David Geffen Galleries
LACMA Announces 2025 Plans Toward 2026 Grand Public Opening of the New David Geffen Galleries
  • March 11, 2025
  • Editors
Sounds of Nature
Sounds of Nature
  • March 4, 2025
  • Eve Schillo
A Place for Respite and Calm: LACMA Is Free This Week
A Place for Respite and Calm: LACMA Is Free This Week
  • January 13, 2025
  • Editors
Colorful Connections: Public Programs for We Live in Painting
Colorful Connections: Public Programs for We Live in Painting
  • January 13, 2025
  • Amal Beatriz Pizarro
Experiencing Awe and Wonder: Meditative Looking in Mapping the Infinite and Island Universe
Experiencing Awe and Wonder: Meditative Looking in Mapping the Infinite and Island Universe
  • November 6, 2024
  • Elizabeth Gerber, Mariko Tu
This Week at LACMA
This Week at LACMA
  • September 13, 2024
  • Editors
Combating Food Insecurity in Los Angeles with Art and Activism
Combating Food Insecurity in Los Angeles with Art and Activism
  • July 18, 2024
  • Kristina Wong