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Collections

Unknown
Krishna, The Divine Flutistcirca 1775

Not on view
Drawing in graphite on peach-toned paper, a figure in profile plays a flute, wearing a tall ornate turban, jewelry, and flowing garments, with a circular halo sketched behind
Artist or Maker
Unknown
Title
Krishna, The Divine Flutist
Place Made
India, Himachal Pradesh, Kangra
Date Made
circa 1775
Medium
Ink and opaque watercolor on paper
Dimensions
13 1/2 x 6 3/8 in. (34.29 x 16.19 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.87.278.7
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Krishna, the 8th incarnation of Vishnu, is widely beloved as the Hindu god of devotion. The evolved religious conception of Krishna incorporates several distinct strata and a mixture of historical and mythological personalities, including his probable mortal life as a minor clan chieftain in the Mathura region of northern India, whose ethnic heritage is evidenced and retained by Krishna’s blue skin; his youthful exploits as a pastoral demi-god that engendered the bhakti (devotion) movement; his pivotal advisory role as Arjuna’s cunning charioteer in the epic Mahabharata ([War of the] Great Bharatas); and his subsequent adult career as an ill-fated monarch who brought about the destruction of his own people.

Krishna embodies Vishnu’s protective nature. He is a savior who is worshipped variously as a child-god, divine lover, or regal monarch. He may be depicted as a cowherd, with a flute or staff, or wearing princely dress and a crown. Because Krishna spent his early life as a cowherd, themes of the innocence and playfulness of his childhood abound in legends and images of the god.

Krishna is renowned for playing his flute to call Radha and his female devotees to dally with him in spiritual bliss. In this context, Krishna's flute playing is used as a metaphor for the attraction of the human soul to divinity. Its sound disrupts all social strictures and allows the worshipper to aspire freely towards enlightenment and religious rapture.

Radha’s figure has been mostly cropped.

Selected Bibliography
  • Pal, Pratapaditya and Catherine Glynn. The Sensuous Line: Indian Drawings from the Paul F. Walter Collection. Los Angeles: Los Angeles County Museum of Art, 1976.