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Collections

Magnus Zeller
The Oratorcirca 1920

On view:
Broad Contemporary Art Museum, floor 3
Oil painting of a man in a mint-green suit with both arms raised, surrounded by a dense crowd of figures reaching toward him with outstretched hands

Magnus Zeller, The Orator, circa 1920, Los Angeles County Museum of Art, Purchased with funds provided by Charles K. Feldman, photo © Museum Associates/LACMA

Artist or Maker
Magnus Zeller
Germany, 1888-1972
Title
The Orator
Place Made
Germany
Date Made
circa 1920
Medium
Oil on canvas
Dimensions
65 × 84 3/4 × 1 3/4 in. (165.1 × 215.27 × 4.45 cm)
Credit Line
Purchased with funds provided by Charles K. Feldman
Accession Number
86.4
Classification
Paintings
Collecting Area
Modern Art
Curatorial Notes

Magnus Zeller was among the second generation of German Expressionist artists who came of age at the end of World War I. As Germany’s defeat in the war and the subsequent downfall of the monarchy brought on a nationwide revolution, those eager for dramatic political change were optimistic. Artists believed they would play an important role in building a better society and joined together in groups such as the Working Council for Art. Idealism gave way to disillusionment as the revolution grew violent and the new republican government failed to realize its lofty ambitions. In The Orator, Zeller portrays the religious dimension of modern politics, which incites ecstatic devotion in its followers. The charismatic speaker, more preacher than politician, may have been inspired by the Communist leader Karl Liebknecht, who Zeller saw in Berlin before Liebknecht’s murder by right-wing forces in 1919.


Wall label, 2021.

Provenance
The artist (1888-1972). Private collection ( possibly Mrs. Bachman’s Uncle, her mother’s older brother). Dr. and Mrs. Henry Bachman, Missouri; sold in 1986 toLACMA.
Selected Bibliography
  • Barron, Stephanie et al., German Expressionism 1915-1925: The Second Generation. Los Angeles: Los Angeles County Museum of Art, 1988.

Copyright
© Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

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