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Collections

Unknown
Offering Stand in the Form of a Mythical Aquatic Creature (Makara)13th-14th century

Not on view
Ceramic sculpture of a coiled serpent with an all-over scale pattern, elaborate zoomorphic base with open-mouthed animal head, matte surface
Artist or Maker
Unknown
Title
Offering Stand in the Form of a Mythical Aquatic Creature (Makara)
Place Made
Indonesia, Eastern Java
Date Made
13th-14th century
Medium
Earthenware
Dimensions
24 1/2 x 7 1/2 x 14 1/2 in. (62 x 19 x 36.6 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.86.345.17
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A makara (sea monster) is a mythical aquatic creature symbolic of fecundity that is a varying composite of diverse animals. The most common hybrid form, as represented in a Nepalese repoussé gilt copper alloy sculpture (M.85.279.6), has the trunk and head of an elephant, the body and feet of a crocodile, and the foliated tail of a fish or peacock. This Eastern Javanese earthenware makara has the trunk of an elephant, the head and jaws of a crocodile, and the scales and flexible body of a fish. The now-fragmentary upraised hollow tail was originally surmounted by an offering stand. Its surviving elements include a floral medallion and a handle with a serpent head junction. For a comparable makara offering stand, see John. N. Miksic and Endand Sri Hardiati Soekatno, eds., The Legacy of Majapahit (Singapore: National Heritage Board, 1995), p. 166, no. 80.

Makaras have an extremely rich heritage in Southern Asian and Himalayan art and culture. A makara is identified as the mount (vahana) of the god Varuna in the Vedic (proto-Hindu) scriptures of the second millennium BCE (see M.72.4.2). Architectural makaras survive in India from at least as early as the second century BCE. Makara forms are used in architecture for waterspouts, and as structural and design components of archways (torana) (see M.79.34a-b, M.91.350.3, and AC1999.127.20) and thronebacks (see M.81.90.5 and M.2001.1). They are ubiquitous in the ritual and decorative arts, particularly as ornate terminals on sacramental implements such as thunderbolts (vajra or dorje; see M.81.4, AC1994.176.1, M.2001.158.1); jewelry, especially earrings and necklaces (see M.83.105.1); and weaponry (see M.79.243.1, M.79.243.3, and AC1997.276.1).


Selected Bibliography
  • Pal, Pratapaditya. Icons of Piety, Images of Whimsy: Asian Terra-cottas from the Walter Grounds Collection. Los Angeles: Los Angeles County Museum of Art, 1987.