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Collections

James McNeill Whistler
C. L. Drouet, Sculptor1859

Not on view
Etching portrait of a bearded man with crossed arms, shown from the waist up in loose, expressive lines on honey-tan paper, signed 'Whistler' and dated 1859

James McNeill Whistler, C. L. Drouet, Sculptor, 1859, Los Angeles County Museum of Art, The Julius L. and Anita Zelman Collection, photo © Museum Associates/LACMA

Artist or Maker
James McNeill Whistler
Title
C. L. Drouet, Sculptor
Place Made
United States
Date Made
1859
Medium
Etching and drypoint
Dimensions
Sheet: 8 7/8 x 6 in. (22.54 x 15.24 cm)
Credit Line
The Julius L. and Anita Zelman Collection
Accession Number
M.86.366.9
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes
James McNeill Whistler is best known for evocative and atmospheric landscapes and for the austere tonal portrait of his mother. Associated with the impressionists, Whistler developed a painting style verging on the abstract, and in many of his paintings the artist's fascination with the play of color and form overwhelms any representational literalness.
Whistler's prints reveal another side of his perception. This etched portrait of the French sculptor Charles Drouet is a telling study of artistic personality as well as a masterful record of appearance. Although Whistler has boldly simplified the body, he observes the details of facial structure and texture closely: the virile beard, the slightly careworn brow, the shadowed eyes.
Born in Lowell, Massachusetts, Whistler, the son of a civil engineer, enjoyed the benefits of private drawing instruction from his youth. This most distinguished of American painters as a young man endured a most undistinguished career as a military officer at West Point, but the experience was partly redeemed by his work there as a draftsman. Apparently Whistler later learned etching during a brief stint with the United States Coast Guard and Geodetic Survey in Washington, D.C. This extremely rare Drouet portrait, one of a very few impressions made before the plate was canceled, is a product of these early experiences: a masterfully drafted image, it is a fine example of the etcher's linear technique.
Selected Bibliography
  • Fine, Ruth E. Drawing Near: Whistler Etchings from the Zelman Collection. Los Angeles: Los Angeles County Museum of Art, 1984.
  • Price, Lorna. Masterpieces from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1988.

Related Exhibitions

Related Unframed

Whistler’s Etchings: An Art of Suggestion
Whistler’s Etchings: An Art of Suggestion
  • May 21, 2012