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Gods Paying Homage to the Goddess after Her Defeat of a Titan (recto), Text (verso); Folio from a Devimahatmya (Glory of the Goddess)circa 1775

Not on view
Indian miniature painting with two scenes: a crowd of deities and a four-armed goddess with a lion facing a defeated multi-headed demon lying prostrate below
Indian miniature painting, standing four-armed female deity in dark floral skirt with jewelry and crown, holding objects in raised hands beneath an ornate parasol, accompanied by a white lion with yellow mane; green landscape with flowering trees behind.
Indian opaque watercolor painting depicting a large recumbent figure with an elephant head, wearing a dark floral-patterned skirt and orange garments, lying on a pale ground. A bare tree stands at left; red radiating lines emanate from the head. Fine line work with vivid red, green, and gold details throughout.
Artist or Maker
Unknown
Title
Gods Paying Homage to the Goddess after Her Defeat of a Titan (recto), Text (verso); Folio from a Devimahatmya (Glory of the Goddess)
Place Made
India, Madhya Pradesh, Bundelkhand, Chhatarpur
Date Made
circa 1775
Medium
Opaque watercolor and gold on paper
Dimensions
Image: 16 1/8 x 11 5/8 in. (40.96 x 29.53 cm); Sheet: 20 x 15 in. (50.8 x 38.1 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.86.345.5
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dating from circa 550 CE, the Devimahatmya (Glory of the Goddess) is a devotional text of 700 Sanskrit verses that extol the Goddess (Devi) as the supreme power and creator of the universe. The verses were interpolations to the earlier Markandeya Purana dating from circa 250 CE and then extracted as a stand-alone text.

Here, the Shaiva and Vedic gods of Hinduism are paying homage to the Goddess after her defeat of a demonic titan. The Goddess is likely a form of Parvati. She is crowned with pale skin and four arms. She carries a lotus bud in her upper left hand. Her remaining three hands are held in symbolic gestures: lower left, ‘fear-not’ (abhaya mudra); lower right, ‘gift-giving’ (varada mudra); upper right, indeterminate. Each hand has a sacred marking in the palm (lakshana). She stands under an honorific parasol and has a lion mount. The gods standing in adoration are the elephant-headed Ganesha, the four-headed Brahma with white beards, the ascetic Shiva, the thousand-eyed Indra, the six-headed Karttikeya (the sixth head is not visible), the Sun-God Surya with a golden nimbus, the Moon-God Chandra with a white nimbus, and three generic gods. The slain supine demon has severed limbs with streams of blood still spurting.

This folio and its series mate M.84.229.5 have inscriptions on the reverse stating they were painted in Chhatarpur. This folio also has a Hindi rendition of the Devimahatmya text verses by the poet Kosala who wrote them for Maharaja Khandot Singh.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.