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Collections

Unknown
Eleven-Headed Avalokiteshvara16th century

On view:
Resnick Pavilion, floor 1
Gilt bronze sculpture of a multi-armed, multi-headed standing deity with eight arms and six stacked faces, mounted on a lotus pedestal, with inlaid coral and turquoise accents

Unknown, Eleven-Headed Avalokiteshvara, 16th century, Los Angeles County Museum of Art, Gift of Harry Kahn, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Eleven-Headed Avalokiteshvara
Place Made
Central Tibet
Date Made
16th century
Medium
Gilt brass inlaid with turquoise and other gemstones; cold gold paste and paint
Dimensions
30 1/4 x 14 3/4 x 6 7/16 in. (76.8 x 37.46 x 16.35 cm)
Credit Line
Gift of Harry Kahn
Accession Number
M.86.220.2
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Avalokiteshvara, the Bodhisattva of Compassion, is represented here in his cosmic form with eleven heads emphasizing his watchful nature and six arms. Eight of the eleven heads represent the cardinal directions and their intermediate points, while the remaining three symbolize the zenith, nadir, and center. The eleventh head at the top represents the Buddha Amitabha, of whom Avalokiteshvara is considered to be an emanation. He symbolizes the universal compassion of all Buddhas. Apart from Amitabha, the ten heads represent Avalokiteshvara’s attainment of each of the ten Bodhisattva stages and also symbolize his watching over beings throughout the ten directions of space. All of the heads have benign faces except for the penultimate head, which is wrathful. He has eight arms, five of which are now missing their separately cast attributes. This lower left hand likely once held a water pot. His two primary hands are held in the gesture of adoration (anjali mudra). His lower right hand is held in the gesture of charity (varada mudra). He stands on a lotus base. The top of the base has two lug holes at the rear sides, which indicates there was originally a detachable nimbus and aureole (prabhavali).


Selected Bibliography
  • Pal, Pratapaditya. Art of Tibet. Expanded edition. Los Angeles: Los Angeles County Museum of Art, 1990.
  • Reedy, Chandra L. Himalayan Bronzes: Technology, Style and Choices. Newark: University of Delaware Press, 1997.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.