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Collections

Isamu Noguchi
Cronos1947, cast 1986

On view:
Broad Contemporary Art Museum, floor 3
Tall abstract bronze sculpture with two arching uprights framing looping organic forms and a suspended oval element hanging from thin wires, mounted on a gray rectangular base
Tall bronze sculpture on a rectangular gray base, featuring two vertical columns intertwined with sinuous, serpentine forms and bulbous protrusions, dark patinated surface with rough texture.
Artist or Maker
Isamu Noguchi
United States, 1904-1988
Title
Cronos
Place Made
United States
Date Made
1947, cast 1986
Medium
Bronze
Dimensions
85 1/2 × 23 × 36 in. (217.17 × 58.42 × 91.44 cm)
Credit Line
Purchased with funds provided by James and Ilene Nathan and Nathan and Sandra Seltzer
Accession Number
M.86.146a-f
Classification
Sculpture
Collecting Area
Modern Art
Curatorial Notes

Born in Los Angeles to a Japanese father and an American mother, Isamu Noguchi embraced aspects of Asian, European, and American culture throughout his career. In 1942, Executive Order 9066 was issued, authorizing the internment of Japanese Americans living on the West Coast during World War II. Noguchi— by then living in New York—voluntarily entered a relocation camp in Arizona with the aim of improving the environment for the internees; he was forced to remain in the camp for six months.



Cronos, made initially in balsa wood, derives its name from the mythological son of Heaven and Earth. With its bone-like shapes, the suspended interlocking curves and pendular oval can turn slowly within the outer arch. Cronos was singled out in 1949 by art critic Clement Greenberg, a champion of American Abstract Expressionism, for its rough, hand-worked surfaces and powerful contours.


Wall label, 2021.

Selected Bibliography
  • Powell III, Earl A., Robert Winter, and Stephanie Barron. The Robert O. Anderson Building. Los Angeles: Los Angeles County Museum of Art, 1986.