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Collections

Unknown
Jatayu's Attempt to Foil Sita's Abduction, Folio from a Vaidehisha Vilasa (The Story of Sita)circa 1850-1900

Not on view
Watercolor drawing of a golden bird-creature with spread green wings, raised arms holding reins to a blue horse, and a barrel-shaped structure on its torso containing rows of dark blue faces and a small seated figure
Artist or Maker
Unknown
Title
Jatayu's Attempt to Foil Sita's Abduction, Folio from a Vaidehisha Vilasa (The Story of Sita)
Place Made
India, West Bengal, Kolkata (Calcutta), Kalighat
Date Made
circa 1850-1900
Medium
Opaque watercolor on paper with polished tin accents
Dimensions
17 3/8 x 10 3/4 in. (44.13 x 27.31 cm)
Credit Line
Purchased with funds provided by Christian Humann and David H. Schultz
Accession Number
M.86.118.2
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes
The Ramayana narrates the epic saga of the valiant Prince Rama and his dutiful wife, Princess Sita, who was abducted by Ravana, the arrogant ten-headed King of Lanka (probably modern Sri Lanka), during Rama's unjust fourteen-year forest exile. The Vaidehisha Vilasa (The Story of Sita), is a vernacular recension of the Ramayana written in the early 18th century by the Odia (Oriya) court poet Upendra Bhanja (1670-1740). A key idiosyncratic event occurs in the Vaidehisha Vilasa when Jatayu, the King of Vultures, valiantly tries to prevent Sita’s abduction by swallowing Ravana’s chariot in his beak, an act that is not narrated in the Sanskrit Ramayana ascribed to the legendary poet Valmiki or the Hindi Ramacharitmanas (Holy Lake of the Deeds of Rama) composed by Tulsidas (1511-1623) in 1575. But Jatayu was no match for the powerful Ravana and was mortally wounded in a fierce battle. Before he died, Jatayu was discovered by Rama and his brother Lakshmana, who were searching for Sita after having returned to their hermitage to find her missing. Jatayu told the brothers of Sita's kidnapping by Ravana. Rama rewarded Jatayu for his loyalty by performing his funerary rites so that he could ascend to heaven, which no vulture had ever attained. Jatayu’s heroic attempt was immortalized by Odishan (Orissan) and Bengali artists, who portrayed the deed in dramatic fashion by depicting Jatayu in larger-than-life proportions engulfing Ravana, his horse-drawn ariel chariot, and the captive Sita.