LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Ritual Pellet Drumcirca 18th century

Not on view
Small double-headed drum with worn lacquered body, cream animal-skin top, cowrie shell and cord decoration at the waist, with crimson and ochre fabric straps trailing to the side
Artist or Maker
Unknown
Title
Ritual Pellet Drum
Place Made
Tibet
Date Made
circa 18th century
Medium
Opaque watercolor on wood with animal skin and cowry shells; cotton and brocade silk fittings
Dimensions
5 x 7 1/4 x 7 1/4 in. (12.7 x 18.42 x 18.42 cm)
Credit Line
Purchased with funds provided by Harry and Yvonne Lenart
Accession Number
M.86.127
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Pellet drums (damaru) are hourglass in shape with two opposite-facing drums and two striking pellets connected to the drum by a cord. The drums are often made from two human craniums connected at the point of the crown with a hole drilled to connect the two chambers of the drum, or from hemispherical wooden drums similarly joined together. The skulls are gathered from the charnel fields or reportedly bequeathed by the Buddhist monks themselves. They are never taken from living persons killed for the purpose of obtaining their skull. The drumheads or drum skins are made of stretched and sometimes painted animal hide, usually from goats, cows, or calves. Pellet drums in Tibet, Mongolia, and India are played by grasping it by its waist. When the hand is rotated back and forth, the pellets strike the drumheads to produce various rhythms. Tibetan pellet drums are often used in Tantric rituals and esoteric rites of exorcism. See Huntington and Bangdel, 2003, pp. 364-365, nos. 106A and 106B.

This pellet drum is made of two joined wooden drums with unadorned skin drumheads. The exterior of the drum is embellished with painted scenes of the eight cremation grounds featuring grinning skulls or fierce faces at the four opposite points. Between them are various dancing skeletons (chitipati; see M.91.203), Tibetan stupas (chöten; see M.76.130, M.82.200.3, M.87.53.1, AC1992.58.1a-b), ascetics playing thighbone trumpets (kangling; see M.81.90.19), and jackals and other scavengers. A necktie-shaped cotton and brocade silk banner is connected to the waist of the drum by a cotton band adorned with cowrie shells. See also M.85.298.2 and AC1998.34.1.

Selected Bibliography
  • Huntington, John C. and Dina Bangdel. The Circle of Bliss: Buddhist Meditational Art. Columbus: The Columbus Museum of Art; Chicago: Serindia Publications, 2003.
  • Pal, Pratapaditya. Art of Tibet. Expanded edition. Los Angeles: Los Angeles County Museum of Art, 1990.