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Collections

Unknown
The Saint Andal14th century

Not on view
Small bronze sculpture of a standing female figure with raised arm holding a bird, wearing draped garment and jewelry, on a domed base, with deep olive-brown patina

Unknown, The Saint Andal, 14th century, Los Angeles County Museum of Art, Purchased with funds provided by Mr. and Mrs. Edgar G. Richards, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
The Saint Andal
Place Made
India, Tamil Nadu, Madurai District
Date Made
14th century
Medium
Copper alloy
Dimensions
4 1/2 x 2 3/8 x 1 7/8 in. (11.43 x 6.03 x 4.76 cm)
Credit Line
Purchased with funds provided by Mr. and Mrs. Edgar G. Richards
Accession Number
M.86.94.2
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Andal (She Who Rules) was born as a girl named Kotai in 785 in Srivilliputhur, Tamil Nadu. According to religious lore, she was found under a tulasi plant in the garden inside the Srivilliputhur Andal Temple by her foster father Periyalvar, one of the renowned twelve poet-saints (Alvars) of Tamil Nadu. Kotai grew up as an ardent devotee of Krishna, an avatar of Vishnu, the Hindu God of Preservation. As a young girl she helped her father make floral garlands to be offered to Vishnu and would secretly try on the garlands to see how she would look as Vishnu's bride. When Periyalvar discovered what he considered this defilement of the garlands, he made a replacement one for Vishnu. But Vishnu appeared in a dream and demanded Periyalvar offer him Kotai’s original garland. Kotai was then renamed Andal because she had first shared the garland with Vishnu. When she was fifteen and had reached marriageable age, after refusing to be wed to a human, Periyalvar took Andal to the Ranganathaswamy Temple in Srirangam where she was reunited with Vishnu as his bride. Andal is regarded as an avatar of the earth goddess Bhumi, the secondary consort of Vishnu, and is the only female Alvar. She is credited with composing the Tiruppavai (The Sacred Vow), a poem of thirty verses in praise of Perumal (a form of Vishnu), and the Nachiyar Tirumoli (Sacred Sayings of the Goddess), a poem of 140 verses expressing Andal’s love for Vishnu.

Andal is portrayed as a young woman. Her ornamented hair is braided and wound round the head as a bun in the dhammilla fashion (see also M.70.69.2 and M.80.6.5). She carries a parrot on her right forearm. It represents the divine sage Sukha Brahma Rishi, who took the form of a parrot to serve as Andal’s confidante to convey her messages of love to Krishna.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.