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Collections

Unknown
Nature Goddess1st century

Not on view
Terracotta sculpture of a standing female figure with beaded necklace and draped lower garment, reddish-brown clay with weathered surface
Terracotta figurine of a standing female form viewed from behind, with molded drapery, a patterned belt, and a plant stem with leaves along the lower body; weathered reddish-brown surface with traces of pigment.
Artist or Maker
Unknown
Title
Nature Goddess
Place Made
India, Uttar Pradesh, Mathura
Date Made
1st century
Medium
Mottled red sandstone
Dimensions
63 x 23 x 12 1/2 in. (160.02 x 58.42 x 31.75 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, purchased with funds provided by Mr. and Mrs. Allan C. Balch
Accession Number
M.86.21
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This larger-than-life figure of a nature goddess (yakshi) was likely originally erected in an outdoor shrine and circumambulated by devotees. They are particularly associated with sacred trees, particularly the Ashoka tree (Saraca asoca), and also serve as tutelary deities associated with Kubera, the god of wealth.

The goddess stands erect with her clenched left hand on her hip. Her now-missing right hand was probably held in the gesture of reassurance (abhaya mudra). She is full breasted and wears a lower garment secured by an ornate hip belt (katibandha). She stands up against an Ashoka tree (visible on the rear), which reinforces her close connection to nature.

See also M.78.9.16. Comparable, albeit considerably smaller, Mathura yakshis are in the Cleveland Museum of Art (1968.104) and the Walters Art Museum, Baltimore (25.247).

Selected Bibliography
  • Newman, Richard. The Stone Sculpture of India: a Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century. Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museums, 1984.
  • Srinivasan, Doris Meth. Listening to Icons. Vol. 1. New Delhi: Aryan Books International, 2016.