LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
The Dakini Nairatmyacirca 1300-1320

On view:
Resnick Pavilion, floor 1
Small gilt-bronze sculpture of a multi-armed dancing deity in dynamic pose, with flame aureole and tiered lotus pedestal, warm honey-gold surface with reddish-brown recesses
Gilt bronze sculpture of a standing deity in dynamic pose, set within a flame-edged aureole, mounted on a tiered lotus base with scrollwork relief and an inscription in Devanagari script around the base.
Artist or Maker
Unknown
Title
The Dakini Nairatmya
Place Made
Western Nepal or Western Tibet
Date Made
circa 1300-1320
Medium
Gilt unalloyed copper
Dimensions
3 1/2 x 2 3/4 x 1 1/4 in. (8.89 x 6.99 x 3.18 cm)
Credit Line
Purchased with funds provided by Harry and Yvonne Lenart
Accession Number
M.85.221
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Nairatmya (Selfless One) is a Buddhist Dakini (Female Sky-goer), which is a class of enticing demigoddesses. She is the consort of Hevajra (see M.85.115.3, and M.81.6). She is usually represented as a dancing figure or in union with Hevajra. Occasionally, she is seated alone (see M.70.1.4).

Nairatmya is portrayed in the "half cross-legged" dance posture (ardhaparyanka-nritya), symbolic of a joyous and passionate Buddha nature. She is trampling a corpse atop a double lotus base with a cast devanagari inscription. She has a third eye, an ascetic’s piled hair crowned by a thunderbolt (vajra), a tiara, and profuse jewelry, including a long garland of severed skulls. Serpents are wrapped around her waist. Her upraised right hand holds a flaying knife (kartika) and her left hand holds a skullcup. A ritual staff (khatvanga) rests on her left shoulder. She is backed by a flaming aureole (prabhavali) with a diamond border.

The inscription reads, May Shri Ripumalla live long. (Translation by Ian Alsop.) Ripumalla (r. early 14th century) was a king of the Khasa Malla Kingdom in Western Nepal and Western Tibet, which ruled from the 11th to mid-14th century. Their capital was Semja, located in the Karnali River basin in Western Nepal. A thangka portrait of Ripumalla worshipping White (Sita) Tara dated 1312 is in Tibet Museum, Alain Border Foundation, Gruyères, Switzerland (ABP 038).

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.