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Collections

Wassily Kandinsky
Untitled Improvisation III1914

On view:
Broad Contemporary Art Museum, floor 3
Vertical abstract oil painting with overlapping curved and angular forms in orange, cobalt blue, teal, rose, and gold, with sweeping arcs and thin diagonal lines

Wassily Kandinsky, Untitled Improvisation III, 1914, Los Angeles County Museum of Art, Museum acquisition by exchange from the David E. Bright Bequest, photo © Museum Associates/LACMA

Artist or Maker
Wassily Kandinsky
Russia, also active Germany and France, 1866–1944
Title
Untitled Improvisation III
Place Made
Russia
Date Made
1914
Medium
Oil on cardboard
Dimensions
25 1/2 × 19 3/4 in. (64.77 × 50.17 cm)
Credit Line
Museum acquisition by exchange from the David E. Bright Bequest
Accession Number
M.85.151
Classification
Paintings
Collecting Area
Modern Art
Curatorial Notes

Wassily Kandinsky was one of the first artists to experiment with complete abstraction by painting without reference to recognizable objects from the real world. Kandinsky wanted to free the viewer from the visual distraction of seeing a painting, in order to enable them to feel it instead. He considered his paintings analogous to music, and used color and form to elicit the sensations aroused through vibration, pitch, and the duration of sound. Beginning in 1909, he painted a series of works he called “improvisations,” which he described as “chiefly unconscious, for the most part suddenly arising expressions of events of an inner character.”



This painting, once owned by the artist’s partner and fellow painter, Gabriele Münter, was later acquired by Hans Hofmann, a German painter who brought it to the United States when he emigrated in 1932. Hofmann’s own teaching on abstraction was highly influential to the development of Abstract Expressionism in the United States.


Wall label, 2021.

Provenance
The artist (1866-1944); his partner Gabriele Münter (1877-1962). Hans (1880-1966) and Maria “Miz ”Hofmann, Munich and New York, before 1931. Mrs. Muriel Bultman Francis (1908- 1986), New Orleans; [Jeffrey H. Loria, New York]; [Stephen Hahn, New York]; sold in 1985 to; LACMA.
Selected Bibliography
  • Los Angeles County Museum of Art. New York: Thames and Hudson, 2003.
  • Price, Lorna. Masterpieces from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1988.
  • Powell III, Earl A., Robert Winter, and Stephanie Barron. The Robert O. Anderson Building. Los Angeles: Los Angeles County Museum of Art, 1986.
  • Roethel, Hans K., and Benjamin, Jean K. Kandinsky: Catalogue Raisonné of the Oil-Paintings. Ithaca, NY: Cornell University Press, 1982.
  • Roethel, Hans K., and Benjamin, Jean K. Kandinsky: Catalogue Raisonné of the Oil-Paintings. Ithaca, NY: Cornell University Press, 1982. Catalogue raisonné, vol. I, no. 502, p. 507, illustrated.

  • Roethel, Hans K., and Benjamin, Jean K. Kandinsky: Catalogue Raisonné of the Oil-Paintings. Ithaca, NY: Cornell University Press, 1982.
Copyright
© Artists Rights Society (ARS), New York / ADAGP, Paris

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