Attributed to Workshop of Manuel José de Mena Cárdenas
Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín)circa 1730

Not on view

Embroidered textile in a shallow V-shape, covered in a raised gold lattice pattern with a central polychrome floral band, suspended by a twisted cord and tassel against a black background

Artist or Maker: Attributed to Workshop of Manuel José de Mena Cárdenas
Mexico, 1711-1752
Title: Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín)
Place Made: Mexico
Date Made: circa 1730
Medium: Silk, metallic-thread, and lamella embroidery with silk and metallic-thread plaited cord and silk and metallic-thread tassel
Dimensions: 9 3/4 × 26 in. (24.77 × 66.04 cm)
Credit Line: Costume Council Fund
Accession Number: M.85.96.6
Classification: Costumes
Collecting Area: Costume and Textiles
Curatorial Notes: Embroidered for Catholic priests, vestments were among the most resplendent art forms of eighteenth-century Mexico. These garments were created as sets in guild workshops led by master craftsmen, as well as by nuns in convents. The quality of the embroidery, alongside the abundant use of silk and gold, reveals the enormous resources invested in their production. Based on designs from Europe and constructed using silk and metallic threads imported from China and Spain, these elaborate vestments embody the intersection of cultures made possible by global trade networks. LACMA’s fine grouping—which includes this collar, plus a chasuble (M.85.96.1), a lectern hanging (M.85.96.2), two stoles (M.85.96.3, M.85.96.4), another collar (M.85.96.5), a cope (M.85.96.7), and two dalmatics (M.85.96.8, M.85.96.9)—bears a striking resemblance to a set preserved in the Puebla Cathedral by the Spanish master embroiderer Manuel José de Mena Cárdenas, which, according to extant documentation, was completed by one Ana Bárbara Quijano (probably of Indigenous or mestizo background) upon his death.

Ilona Katzew

2024
Provenance: Virginia Araciga, c. 1983; Loewi-Robertson Inc., Los Angeles, 1983; LACMA, 1985.
Selected Bibliography: Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.

Attributed to Workshop of Manuel José de Mena Cárdenas
Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín)circa 1730

Not on view

Artist or Maker: Attributed to Workshop of Manuel José de Mena Cárdenas
Mexico, 1711-1752
Title: Set of Ecclesiastical Vestment: Collar (Partes de un terno eclesiástico: Collarín)
Place Made: Mexico
Date Made: circa 1730
Medium: Silk, metallic-thread, and lamella embroidery with silk and metallic-thread plaited cord and silk and metallic-thread tassel
Dimensions: 9 3/4 × 26 in. (24.77 × 66.04 cm)
Credit Line: Costume Council Fund
Accession Number: M.85.96.6
Classification: Costumes
Collecting Area: Costume and Textiles
Curatorial Notes: Embroidered for Catholic priests, vestments were among the most resplendent art forms of eighteenth-century Mexico. These garments were created as sets in guild workshops led by master craftsmen, as well as by nuns in convents. The quality of the embroidery, alongside the abundant use of silk and gold, reveals the enormous resources invested in their production. Based on designs from Europe and constructed using silk and metallic threads imported from China and Spain, these elaborate vestments embody the intersection of cultures made possible by global trade networks. LACMA’s fine grouping—which includes this collar, plus a chasuble (M.85.96.1), a lectern hanging (M.85.96.2), two stoles (M.85.96.3, M.85.96.4), another collar (M.85.96.5), a cope (M.85.96.7), and two dalmatics (M.85.96.8, M.85.96.9)—bears a striking resemblance to a set preserved in the Puebla Cathedral by the Spanish master embroiderer Manuel José de Mena Cárdenas, which, according to extant documentation, was completed by one Ana Bárbara Quijano (probably of Indigenous or mestizo background) upon his death.

Ilona Katzew

2024
Provenance: Virginia Araciga, c. 1983; Loewi-Robertson Inc., Los Angeles, 1983; LACMA, 1985.
Selected Bibliography: Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.