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Collections

Unknown
Lady Being Entertained on a Terracecirca 1800

Not on view
Indian miniature painting of three women on a marble terrace at dusk, one smoking a hookah, one reclining, one playing a drum, within a gold-patterned border on a rust-orange mount
Indian miniature painting, four women on a terrace at dusk; two recline at left in richly patterned gold and red garments, while two seated figures at right hold a stringed instrument and a tabla drum; a hookah, small vessels, and bowls are arranged in the foreground; flowering plants and an orange-streaked blue sky in the background; fine opaque watercolor with detailed patterning.
Artist or Maker
Unknown
Title
Lady Being Entertained on a Terrace
Place Made
India, Uttar Pradesh, Awadh, Lucknow
Date Made
circa 1800
Medium
Opaque watercolor and gold on paper
Dimensions
Sheet: 16 x 11 3/4 in. (40.64 x 29.85 cm); Image: 10 x 7 in. (25.4 x 17.78 cm)
Credit Line
Gift of Myrna Smoot and Peter Smoot
Accession Number
M.84.228.1
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Paintings of princesses and women of the harem relaxing or languishing on a palace terrace while enjoying music, wine, and other pleasures, as well as celebrating festivals and playing games, became a stock motif in the 18th century for portraying the luxurious lifestyle of the Indian royalty. Such stereotypical portraits were created not only to depict a particular court, but also to project a calculated image of the wealth and prestige of the kingdom. Typically accompanied by serving maidens and attendants, the privileged royals indulged in a range of pastimes in these classic “terrace-scenes.” Princesses might lounge on a platform bed while listening to music and partaking of wine and food delicacies (see this folio and M.72.36.2), or they might recline languidly on the bed disconsolate over an absent lover while receiving a foot massage and being fanned by maidservants (see M.72.88.8 and M.76.149.3) or tenderly consoled (see M.77.154.24). These idealized portraits of women imbibing or pining on terraces parallel thematically similar representations of heroines (nayikas) in various emotional states, often yearning to be united with their paramours. Their erotic desire is a metaphor for the soul’s quest for the divine.

A princess reclines against floralized bolsters while listening to two musicians at sunset. She holds a floral garland and is smoking an enameled hookah with a silk velvet cover for the “snake” (inhalation tube). A maidservant offers her perfume from a bottle.

Selected Bibliography
  • Markel, Stephen. Mughal and Early Modern Metalware from South Asia at LACMA: An Online Scholarly Catalogue. Los Angeles: Los Angeles County Museum of Art, 2020. https://archive.org/details/mughal-metalware (accessed September 7, 2021).