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Lace
circa 1630
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A Bold New Genre: Manuel de Arellano's Precursors of Casta Painting
April 30, 2025
Ilona Katzew
Behind the Scenes of Lee Alexander McQueen: Mind, Mythos, Muse
September 23, 2022
Jonathan Urban
Objects Talk: A Portrait of a Count with Lofty Ambitions
September 22, 2022
Ilona Katzew
Have Exhibition, Will Travel: Packing Costumes for “Lee Alexander McQueen: Mind, Mythos, Muse”
July 25, 2022
Brynnea Irvine
New Acquisition: “Femicide”: Three Works By Women About Women
April 26, 2022
Linda Komaroff
Make Art @ Home—Assemblage
July 21, 2020
Peggy Hasegawa
The Black Figure with a Pearl Earring in Jan Steen’s "Samson and Delilah"—Part 2
June 22, 2020
Adrienne Adams
Call and Response Book Playlist—In Partnership with The Free Black Women’s Library - Los Angeles
February 16, 2020
Asha Grant
Behind the Scenes: Conservation of Power of Pattern
February 25, 2019
Staphany Cheng
This Weekend at LACMA
December 21, 2018
Victor Guzman
West of Modernism: California Graphic Design, 1975–1995
September 27, 2018
Staci Steinberger
Tracing the History of Italian Lace
August 20, 2018
Clara Puton
Art as Resistance: Curating A Show at Charles White Elementary School
February 15, 2018
Chi-Young Kim
Beauty in the Eye of the Beholder: Fashion in 18th-Century Mexico
February 1, 2018
Rachel Kaplan
Recent Acquisitions: New L.A. Design
January 30, 2018
Bobbye Tigerman, Staci Steinberger
2017 DA² Acquisitions
July 26, 2017
Artists on Art: James Welling on László Moholy-Nagy
June 15, 2017
Carol S. Eliel
The Enigmatic Image: Curious Subjects in Indian Art
January 5, 2017
Stephen Markel
Tied Up: Neckwear in Reigning Men
June 29, 2016
Melinda Webber Kerstein
Styling the Macaroni Male
June 8, 2016
Clarissa M. Esguerra
Damascus Room Completed at Last
September 21, 2015
Linda Komaroff
Confidential to Our Long Lost Sibling
September 14, 2015
Why an Albino? Some Notes On Our New Casta Painting by Miguel Cabrera
April 22, 2015
Ilona Katzew
Restoring LACMA’s New Vicente Albán Paintings from Ecuador
February 4, 2015
Ilona Katzew, Head, Latin American Art, and Joseph Fronek, Head, Paintings Conservation