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© Museum Associates 2025
Collections

Attributed to Kumaradeva
Buddhist Altarpiece with the Goddess Green (Shyama) Tara Flanked by White (Sita) Tara and Bhrikuti (center), and the Transcendental Buddha Amitabha Flanked by the Bodhisattvas Vajrapani and Avalokiteshvara (top)circa 8th century

On view:
Resnick Pavilion, floor 1
Bronze sculpture of a seated deity on a tiered lotus throne within an ornate shrine, flanked by two standing female figures, with three smaller seated figures in arched niches above
Cast bronze votive shrine with openwork construction, featuring a central niche flanked by attendant figures beneath an arched torana canopy with flame and foliage decoration; raised on a tiered rectangular base with a finial at the top; dark patinated surface with traces of red pigment.
Detail of a bronze sculptural base with dark patina, featuring tiered platforms adorned with reclining leonine figures, scrolling foliate relief, and smaller attendant figures at the corners; two serpentine or avian creatures intertwine at the foreground base.
Artist or Maker
Attributed to Kumaradeva
Title
Buddhist Altarpiece with the Goddess Green (Shyama) Tara Flanked by White (Sita) Tara and Bhrikuti (center), and the Transcendental Buddha Amitabha Flanked by the Bodhisattvas Vajrapani and Avalokiteshvara (top)
Place Made
India, Madhya Pradesh, Sirpur
Date Made
circa 8th century
Medium
Copper alloy inlaid with silver and copper
Dimensions
15 x 10 1/8 x 7 in. (38.1 x 25.71 x 17.78 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.84.32.1a-d
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

One of the great treasures of the Los Angeles County Museum of Art, this extraordinary Buddhist altarpiece is a remarkable tour de force of compositional intricacy and technical sophistication. It bespeaks the strength of Buddhist patronage and artistry in central India at a time when the faith was generally waning elsewhere in South Asia. The garments worn by the figures—rendered through chasing and the inlay of silver and copper into the finished surface—are detailed records of the intricately designed fabrics for which India was justly famous. The elegant patterns of floral medallions, geometric bands, and vegetal scrolls combine with the figures’ ornate jewelry and the lush surface ornamentation of the throneback to form a rich tableau of texture and motif.

There are many forms of Tara, all of whom help practitioners overcome hindrances and difficulties on the path to Enlightenment. Each Tara has a different symbolic character and associated color. Green Tara is one of the most popular Buddhist protective goddesses in Nepal and Tibet. She is said to have been born from the Bodhisattva Avalokiteshvara’s tears of compassion. She is a gracious form regarded as the savior from all suffering and the symbol of Enlightenment in female form. She is often propitiated for longevity. White (Sita) Tara is also believed to have been born from Avalokiteshvara’s tears of compassion. She is associated with healing, longevity, and purification. Bhrikuti is a consort of Avalokiteshvara and is associated with Tara. She embodies compassion.

See also M.90.164.

Selected Bibliography
  • Peyton, Allysa B. and Katherine Anne Paul. Arts of South Asia: Cultures of Collecting. Gainesville: University of Florida Press, 2019.
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.