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Collections

Daniel LaRue Johnson
The Big Steal #11962-1963

Not on view
Wall-mounted relief sculpture with layered charcoal-black surfaces: flat panel, textured rectangle, smooth circle, and a cross-shaped rail form with a small three-dimensional hand at its center
Mixed-media relief panel, uniformly dark gray, with a large circle enclosing a textured square from which a cross-shaped assemblage of hardware elements and a small raised hand project in low relief.
Artist or Maker
Daniel LaRue Johnson
United States, 1938-2017
Title
The Big Steal #1
Place Made
United States
Date Made
1962-1963
Medium
Oil and assemblage on canvas
Dimensions
43 5/8 × 41 in. (110.81 × 104.14 cm)
Credit Line
The Michael and Dorothy Blankfort Collection
Accession Number
M.83.210.5
Classification
Collages
Collecting Area
Modern Art
Curatorial Notes

Daniel LaRue Johnson’s The Big Steal #1 is an early example of the artist’s Black Constructions, which comprises found objects such as mouse traps, broken figurines, wire fencing, and various pieces of ephemera arranged in the center of square wooden boxes and coated in black paint or tar. Made in Los Angeles between 1961 and 1965 during the height of the Civil Rights movement, these assemblages reference the systemic racism and violence towards Black Americans that marked the era. Here, five mouse traps form a cross, with a disembodied doll hand caught in the largest of the spring-loaded metal snares. Set within a painted black circle and a wrinkled paper square, these multiple framing devices reinforce a sense of entrapment.


Wall label, 2021.