LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Mandala of Chandracirca 1425

Not on view
Painted mandala with concentric circular bands in crimson and gold, centered on a multi-armed pale deity flanked by attendants, with rows of smaller deity figures filling the outer rings
Artist or Maker
Unknown
Title
Mandala of Chandra
Place Made
Nepal
Date Made
circa 1425
Medium
Mineral pigments and gold on cotton cloth
Dimensions
26 3/4 x 23 1/2 in. (67.94 x 59.7 cm)
Credit Line
Gift of Jerry Solomon and the Indian Art Special Purpose Fund
Accession Number
M.83.113
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This Buddhist astrological mandala, a symbolic diagrammatic aid to meditation, was commissioned to commemorate a ceremony propitiating the moon god, Chandra, who is the white figure wearing a blue jacket in the center. Chandra rides in a chariot flanked by his two wives, Sobha and Kanti, and two archers, Sandhya and Godhuli, symbolizing dusk and twilight respectively, who are dispelling the demons of darkness. The god of the sky, Ambara, is the charioteer guiding the chariot’s flight through the night sky. Seven ganders pull the chariot, which is a Nepalese and eastern Indian convention, apparently derived from tantric Buddhist literature. The eight other planetary deities are arranged in the lotus petals surrounding Chandra, making this a representation of the nine planetary deities (navagraha) with Chandra as the presiding divinity. The outer circle of lotus petals contains the twenty-eight stars (nakshatras) personified as females. At the top of the painting are the faint remains of a Buddha. In each of the four corners sits a bodhisattva flanked by two of the eight Guardians of the Directions (ashtadikpala) and the Eight Auspicious Symbols of Buddhism (ashtamangala): a white parasol, pair of golden fish, conch, treasure vase, lotus, victory banner, wheel, and endless knot.

The bottom register is divided into three panels. On the left is a tantric Buddhist monk (Vajracharya) pours sacrificial oblations into a fire as an offering to Chandra. Behind him an attendant holds a manuscript, while members of the priest’s family respectfully observe. In the central panel is a dancing figure and two musicians. On the right is the donor who commissioned the ceremony and this painting and members of his family.

Selected Bibliography
  • Pal, Pratapaditya. Art of Nepal. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1985.