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Collections

Unknown
Raja Medini Pal of Basohli (r. 1722-1736) Being Presented with a Falconcirca 1730

Not on view
South Asian manuscript painting, four turbaned male figures on a floral carpet against a gold background, one kneeling and holding a small bird on a tether, another offering a falcon
Artist or Maker
Unknown
Title
Raja Medini Pal of Basohli (r. 1722-1736) Being Presented with a Falcon
Place Made
India, Jammu and Kashmir, Mankot
Date Made
circa 1730
Medium
Opaque watercolor and gold on paper
Dimensions
Image (Image): 6 5/8 x 9 3/8 in. (16.8275 x 23.8125 cm) Sheet (Sheet): 8 1/4 x 11 in. (20.955 x 27.94 cm) Frame: 14 × 19 in. (35.56 × 48.26 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.83.105.8
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Raja Medini Pal of Basohli (r. 1722-1736) in present-day Himachal Pradesh was born in 1714. At the age of eight in 1722 he succeeded his father, Raja Dhiraj Pal (r. circa 1690-1720), and ruled under the regency of his uncle Mian Ratan Pal and the vizier Harkha. In 1730 he married a daughter of Raja Dalip Singh of Guler (r. 1695-1741). He died at age twenty-two in 1736.

In this painting from circa 1730, a beardless Medini Pal seated on a carpet is presented with a tethered falcon by a falconer. He holds the falcon on an embroidered falconer’s glove worn on his left hand. Another falcon is partially concealed in his gloveless right hand. Medini Pal has a red turban with a feather plume, a hoop earring with two pearls and a ruby, a gold choker with a ruby pendant, and a gold necklace with the idiosyncratic quatrefoil-shaped pendant worn by Basohli rulers for royal identification and proclamatory purposes. He wears a white coat (jama) with floral sprays and a red brocade waist sash. He has Shaiva sectarian markings on his forehead. A second falconer stands on the right side of the painting, while on left side is an attendant holding a sword in a cloth bag and an embroidered handkerchief.

A comparable Mankot portrait of a beardless Medini Pal attributed to circa 1730 is in the Museum Rietberg, Zurich (RVI 1205). A similar Basohli portrait of a bearded Medini Pal attributed to circa 1735, the year before he died, is in a private collection (see William Archer, 1973, 2:34 Basohli 19).

Selected Bibliography
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Trabold, J. The Art of India, An Historical Profile. Northridge, CA: California State University Press, 1975.
  • Pal, Pratapaditya. The Sacred and Secular in Indian Art. Santa Barbara, CA: University of California, 1974.